Cranford

• The BBC drama series adapted from Mary Gaskellsic novels of small town gossip, secrets and romance. 1842. Cranford, a market town in the North West of England, is a place governed by etiquette, custom and above all, an intricate network of ladies. It seems that life has always been conducted according to their social rules, but Cranford is on the cusp of change? For spinsters Deborah Jenkyns, the

Romantic Comedy. Alex (Luke Wilson) is an author whose writer's block and gambling debts have landed him in a jam. In order to get loan sharks off his back, he must finish his novel in 30 days or wind up dead. To help him complete his manuscript he hires stenographer Emma (Kate Hudson). As Alex begins to dictate his tale of a romantic love triangle to the charming yet somewhat opinionated stenographer, Emma challenges his ideas at every turn. Her unsolicited yet intriguing input begins to inadvertent! ly influence Alex and his story and soon real life begins to imitate art.For perhaps the first time in her career, Kate Hudson doesn't just imitate the twinkle of her mother, Goldie Hawn--and proves to be a winning romantic lead in her own right. Hudson plays Emma, a stenographer hired by a desperate writer named Alex (Luke Wilson, The Royal Tenenbaums, Legally Blonde), who has to finish a book in 30 days. Of course, a tentative romance blooms between them; but as Alex begins to interweave elements of his life into the love triangle of his novel--including a suspiciously Emma-esque character named Anna--Emma wonders if the novel's sexy other woman has a real-life counterpart as well. Though Alex & Emma suffers from some bland, formulaic elements, it also features flashes of engaging wit. Hudson dampens her gleam, but because she's not working so hard to be adorable, a relaxed and more unique charm comes forth. --Bret FetzerRomantic Comedy. Alex (! Luke Wilson) is an author whose writer's block and gambling de! bts have landed him in a jam. In order to get loan sharks off his back, he must finish his novel in 30 days or wind up dead. To help him complete his manuscript he hires stenographer Emma (Kate Hudson). As Alex begins to dictate his tale of a romantic love triangle to the charming yet somewhat opinionated stenographer, Emma challenges his ideas at every turn. Her unsolicited yet intriguing input begins to inadvertently influence Alex and his story and soon real life begins to imitate art.For perhaps the first time in her career, Kate Hudson doesn't just imitate the twinkle of her mother, Goldie Hawn--and proves to be a winning romantic lead in her own right. Hudson plays Emma, a stenographer hired by a desperate writer named Alex (Luke Wilson, The Royal Tenenbaums, Legally Blonde), who has to finish a book in 30 days. Of course, a tentative romance blooms between them; but as Alex begins to interweave elements of his life into the love triangle of his novel--including ! a suspiciously Emma-esque character named Anna--Emma wonders if the novel's sexy other woman has a real-life counterpart as well. Though Alex & Emma suffers from some bland, formulaic elements, it also features flashes of engaging wit. Hudson dampens her gleam, but because she's not working so hard to be adorable, a relaxed and more unique charm comes forth. --Bret FetzerSixteen-year-old Poppy (Emma Roberts) is an LA teen diva who does what she wants, whenever she wants. But after an over-the-top prank pushes her father one step too far, she finds herself shipped off to the one place where everything will change: a British boarding school. No cell phones, no designer clothes…no way. Desperate to break free, she sets in motion the ultimate escape plan involving the head mistress’ son â€" only to discover that this could be the reason she wants to stay. Co-starring Natasha Richardson, Aidan Quinn and Nick Frost, it’s the fun and fabulous comedy that’s LO! L!Poppy is spoiled. OK, Poppy, played with snottiness galore b! y Emma R oberts, is wicked-impossible spoiled. As Wild Child opens, Poppy is having a Malibu meltdown, in the form of tossing her dad's new girlfriend's clothing into the Pacific--just past the edge of the infinity pool."This is the last straw, Poppy!" shouts her beleaguered dad (Aidan Quinn). So off Poppy goes--to boarding school. In England. Where it rains 200 days a year. If Wild Child has few plot surprises--selfish kid learns respect for others with the persistence and pluck of new friends and firm authority figures--it's still a lark, because of Roberts' considerable winsomeness, and because the dreaded England ends up showing considerable charm of its own, which draws in both Poppy and the viewer. Wild Child also marks something bittersweet, the last film performance of Natasha Richardson (who died in March 2009). Richardson is winning as the strict but warmhearted headmistress, Mrs. Kingsley, making what could be a one-dimensional cha! racter complex. Richardson is totally self-possessed and grounded, and in some shots seems to channel another great British actress, Emma Thompson. The great Scottish character actress Shirley Henderson also makes a sly appearance as the matron with the dry-as-bone-china sense of humor.

"What is this place, Hogwarts?" sneers Poppy when she arrives at the remote 18th-century school. But what happens to Poppy is in some ways even more transformative than the goings-on at Harry Potter's school. Flirtation and love hover in the air, in the form of Mrs. Kingsley's hunky son, Freddie (Alex Pettyfer); and Poppy's flair for the dramatic and her undeniable leadership skills galvanize the student body, in some unexpected ways. Roberts is becoming a delightful actress with charisma and nuance. And as the Wild Child is tamed, a lovely young woman is revealed. --A.T. HurleyRomantic Comedy. Alex (Luke Wilson) is an author whose writer's block and gambling debts have landed him! in a jam. In order to get loan sharks off his back, he must ! finish h is novel in 30 days or wind up dead. To help him complete his manuscript he hires stenographer Emma (Kate Hudson). As Alex begins to dictate his tale of a romantic love triangle to the charming yet somewhat opinionated stenographer, Emma challenges his ideas at every turn. Her unsolicited yet intriguing input begins to inadvertently influence Alex and his story and soon real life begins to imitate art.For perhaps the first time in her career, Kate Hudson doesn't just imitate the twinkle of her mother, Goldie Hawn--and proves to be a winning romantic lead in her own right. Hudson plays Emma, a stenographer hired by a desperate writer named Alex (Luke Wilson, The Royal Tenenbaums, Legally Blonde), who has to finish a book in 30 days. Of course, a tentative romance blooms between them; but as Alex begins to interweave elements of his life into the love triangle of his novel--including a suspiciously Emma-esque character named Anna--Emma wonders if the novel's s! exy other woman has a real-life counterpart as well. Though Alex & Emma suffers from some bland, formulaic elements, it also features flashes of engaging wit. Hudson dampens her gleam, but because she's not working so hard to be adorable, a relaxed and more unique charm comes forth. --Bret FetzerThe BBC drama series adapted from Elizabeth Gaskell's classic novels of small town gossip, secrets and romance. 1842. Cranford, a market town in the North West of England, is a place governed by etiquette, custom and above all, an intricate network of ladies. It seems that life has always been conducted according to their social rules, but Cranford is on the cusp of change… For spinsters Deborah Jenkyns, the arbiter of correctness in Cranford, and Matty, her demurring sister, the town is a hub of intrigue - a handsome new doctor Frank Harrison from London has arrived; a retired Captain and his daughters have moved in to a house opposite and the preparations for Lady ! Ludlows garden party are underway. Everyone - from charming ro! gue Dr M arshland to mean Mrs Jamieson and her lap dog talks, and is talked about, behind closed doors. The town also has its secrets which it slowly reveals: Mattys encounter with an old flame at the garden party; Lady Ludlows gardener, Mr Carter, teaching a gypsy lad to read and write; the wild expectations of the May Day celebrations and - news that shakes the town when it is revealed - a railway line from Manchester is coming to Cranford.Adapted from Elizabeth Gaskell's novels, the five-episode miniseries Cranford focuses on female characters in the 19th-century British town to thematically contemplate encroaching modernity in rural England. With the camera roving house to house, each drama within the grander story is constructed of scenes featuring dialogue between several gossipy ladies obsessed with moral code, romantic ideas about courtship, and social occasions. Three main characters, the ever-appropriate Deborah Jenkyns (Eileen Atkins), her sweet sister, Matilda (Jud! i Dench), and their younger, more savvy relative, Miss Smith (Lisa Dillon), continuously weigh in on situations, providing a dependable view when other ladies, like the nosey Miss Pole (Imelda Staunton) are too judgmental. In fine period dress, the women of Cranford remind the viewer of how little action was needed in their small-town lives to provide unceasing entertainment. The series'most intriguing aspect lies not in the ample female conversation but rather in its display of earlier technologies and ways of life. Part One, for example, quickly launches a main narrative thread that runs throughout the series, namely the arrival and assimilation of London doctor, Frank Harrison (Simon Woods), into village society. Dr. Harrison's medical practices, such as his refusal to amputate a man's arm because it's broken, are all the more radical because they are so fundamental by today's standards. In subsequent episodes, he recommends Miss Smith get spectacles to cure her h! eadaches, and saves his love's life by cooling her fever after! conserv ative doctor, Dr. Morgan (John Bowe), recommends the old school practice of burying her in blankets in front of a raging fire. In Part Two, Lady Ludlow (Francesca Annis) throws a garden party at her estate, treating all the women in their fancy hats to a new novelty: ice cream. This scene foreshadows Ludlow's future concern at a railroad plan involving her land that would connect Cranford to Manchester, symbolizing the ruin of this idyllic setting.

In fact, fluffy and clever as some scenes are, death and rebirth assert themselves in each showing, both physically and idealistically. Part Four shows an auctioning off of a deceased man's antiques, and focuses on issues of class and women's education, as Mr. Carter teaches a peasant boy to read while his assistant fumes at her trappings as a seamstress. Part Five ushers in a new period of medical emergencies, securing Dr. Harrison's shaky position in town. In total, Cranford offers a powerful, if sentimental, look at h! ow death begets life, love, and passion. --Trinie Dalton

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Bugsy Malone [Blu-ray]

• UK Import
• Blu-ray
• Region-Free

Warren Beatty and Annette Bening star in the incredible true story of Benjamin Bugsy Siegel, the playboy gangster who betrayed the Mob for love. A cold-blooded killer who dreamed of Hollywood stardom, a crazed patriot who plotted against Mussolini, and the brilliant visionary who carved Las Vegas out of the dry Nevada desert, Bugsy had it all. Until he fell for the one woman who wanted more. A critical masterpiece, BUGSY is a remarkable collaboration of Hollywood's best: director Barry Levinson, screenwriter James Toback, and an all-star supporting cast that includes Harvey Keitel, Oscar®-winner Ben Kingsley (Best Actor, Gandhi,1982), Joe Mantegna, and Elliott Gould. But at the center of itall is the white-hot romance between Bugsy and the insatiable starlet, Virginia Hill.Bugsy represents an almost miraculous combination of director, writ! er, and star on a project that represents a career highlight for everyone involved. It's one of the best American gangster movies ever made--as good in its own way as any of the Godfather films--and it's impossible to imagine anyone better than Beatty in the movie's flashy title role. As notorious mobster and Las Vegas visionary "Bugsy" Siegel, Beatty is perfectly cast as a man whose dreams are greater than his ability to realize them--or at least, greater than his ability to stay alive while making those dreams come true. With a glamorous Hollywood mistress (Annette Bening) who shares Bugsy's dream while pursuing her own upwardly mobile agenda, Bugsy seems oblivious to threats when he begins to spend too much of the mob's money on the creation of the Flamingo casino. Meyer Lansky (Ben Kingsley) and Mickey Cohen (Harvey Keitel) will support Bugsy's wild ambition to a point, after which all bets are off, and Bugsy's life hangs in the balance. From the obvious chemistr! y of Beatty and Bening (who met and later married off-screen) ! to the s umptuous reproduction of 1940s Hollywood, every detail in this movie feels impeccably right. Beatty is simply mesmerizing as the man who invented Las Vegas but never saw it thrive, moving from infectious idealism to brutal violence in the blink of an eye. Director Barry Levinson is also in peak form here, guiding the stylish story with a subtle balance of admiration and horror; we can catch Bugsy's Vegas fever and root for the gangster's success, but we know he'll get what he deserves. We might wish that Bugsy had lived to see his dream turn into a booming oasis, but the movie doesn't suggest that we should shed any tears. --Jeff Shannon

!

Bugsy: Extended Cut special features

Anyone who's heard how intense (or perhaps the word is "torturous") it can be to make a film with Warren Beatty will be captivated by the behind-the-scenes extras on the Bugsy: Extended Cut DVD. The highlight is the chat among screenwriter James Toback, director Barry Levinson, and star and co-producer Beatty on how the project and the final film came to be. Tellingly, Beatty is sitting quite apart from the other two, though they're in a semi-circular banquette at Perino's in Los Angeles.

!

The conversation starts out slowly, ! with Tob ack, a genial blowhard, talking about losing the original script, but it picks up steam when the topic turns to the casting of the excellent actors in the film, including Sir Ben Kingsley and Elliott Gould, who also participate. And of course the most interesting off-screen component of the project--Beatty meeting his future wife, costar Annette Bening--is given a fun spotlight in the film. Levinson remembers that after meeting Bening for the first time, Beatty called him enthusiastically saying, "She's great, I love her, I'm going to marry her" ("you know, just a throwaway line," Levinson says, laughing), and Toback and Levinson and Bening herself talk about the signs the two were slowly falling in love. It's as dishy as anything you're likely to see about the notoriously private Beatty, and well worth the investment.

Other extras include several deleted scenes ! that are now included in the film (and unlike many other "extended cut" releases, actually enhance the depth of the story). One is a harrowing scene in which Bugsy contemplates, and nearly commits, suicide, via Russian roulette. Another is an amusing screen test that Siegal takes, thinking his roguish charm will translate to the big screen. Though it takes Beatty's considerable talents to make that happen, the earnestness of Siegal's outsider character is touching in glimpses like this. --A.T. Hurley

Beyond Bugsy

!

Other Gangsters films on Amazon.com

More Films staring Warren Beatty

See the true story

Stills from Bugsy (click for larger image)

Bugsy represents an almost miraculous combination of director, writer, and star on a project that represents a career highlight for everyone involved. It's one of the best American gangster movies ever made--as good in its own way as any of the Godfather films--and it's impossible to imagine anyone better than Beatty in the movie's flashy title role. As notorious mobster and Las Vegas visionary "Bugsy" Siegel, Beatty is perfectly cast as a man whose dreams are greater than his ability to realize them--or at least, greater than his ability to stay alive while making those dreams come true. With a glamorous Hollywood mistress (Annette Bening) who shares Bugsy's dream while pursuing her own upwardly mobile agenda, Bugsy seems oblivious to threats when he begins to spend too much of the mob's money on the creation of the Flamingo casino. Meyer Lansky (Ben Kingsley) an! d Mickey Cohen (Harvey Keitel) will support Bugsy's wild ambit! ion to a point, after which all bets are off, and Bugsy's life hangs in the balance. From the obvious chemistry of Beatty and Bening (who met and later married off-screen) to the sumptuous reproduction of 1940s Hollywood, every detail in this movie feels impeccably right. Beatty is simply mesmerizing as the man who invented Las Vegas but never saw it thrive, moving from infectious idealism to brutal violence in the blink of an eye. Director Barry Levinson is also in peak form here, guiding the stylish story with a subtle balance of admiration and horror; we can catch Bugsy's Vegas fever and root for the gangster's success, but we know he'll get what he deserves. We might wish that Bugsy had lived to see his dream turn into a booming oasis, but the movie doesn't suggest that we should shed any tears. --Jeff ShannonAsian release of award winning DVD directed by Alan Parker (1976) and starring Jodi Foster and Scott Baio. A child gangster determined to rule over New York City. In! stead of throwing fists or bullets, the prohibition-era kiddie mobsters sling confections at one another. When he learns that a rival gang has developed a secret weapon capable of firing sweets as quick as a machine gun shoots bullets, he sets out to heist the high-tech tart-launcher. Multi winners of BAFTA Awards. Original English dialogue with English/Chinese subtitles. Digital Dolby/5.1. NTSC. Panorama Ent. 2002.Writer-director Alan Parker's feature debut Bugsy Malone is a pastiche of American movies, a musical gangster comedy set in 1929, featuring prohibition, showgirls, and gang warfare, with references to everything from Some Like It Hot to The Godfather. Uniquely, though, all the parts are played by children, including an excellent if underused Jodie Foster as platinum-blonde singer Tallulah, Scott Baio in the title role and a nine-year-old Dexter Fletcher wielding a baseball bat. Cream-firing "spluge guns" sidestep any real violence and the mo! vie climaxes cheerfully with the biggest custard pie fight thi! s side o f Casino Royale (1967).

Unfortunately for a musical, Paul Williams's score--part honky-tonk jazz homage, part 1970s Elton John-style pop--lets the side down with a lack of memorable tunes. Nevertheless, Parker's direction is spot on and the look of the film is superb, a fantasy movie-movie existing in the same parallel reality as The Cotton Club and Chicago. A rare British love letter to classic American cinema, Bugsy Malone remains a true original; in Parker's words "the work of a madman" and one of the strangest yet most stylish children's films ever made. --Gary S. DalkinImport only Blu-Ray pressing. Region All. Special features include, Promotional Trailers, Photo Gallery, 'From Sketch to Screen' featurette. 1080p / 16:9 - 1.78:1. Dolby Digital 5.1. This award winning film directed by Alan Parker (1976) stars Jodi Foster and Scott Baio. A child gangster determined to rule over New York City. Instead of throwing fists or bullets, th! e prohibition-era kiddie mobsters sling confections at one another. When he learns that a rival gang has developed a secret weapon capable of firing sweets as quick as a machine gun shoots bullets, he sets out to heist the high-tech tart-launcher. ITV. 2008.Writer-director Alan Parker's feature debut Bugsy Malone is a pastiche of American movies, a musical gangster comedy set in 1929, featuring prohibition, showgirls, and gang warfare, with references to everything from Some Like It Hot to The Godfather. Uniquely, though, all the parts are played by children, including an excellent if underused Jodie Foster as platinum-blonde singer Tallulah, Scott Baio in the title role and a nine-year-old Dexter Fletcher wielding a baseball bat. Cream-firing "spluge guns" sidestep any real violence and the movie climaxes cheerfully with the biggest custard pie fight this side of Casino Royale (1967).

Unfortunately for a musical, Paul Williams's score--par! t honky-tonk jazz homage, part 1970s Elton John-style pop--let! s the si de down with a lack of memorable tunes. Nevertheless, Parker's direction is spot on and the look of the film is superb, a fantasy movie-movie existing in the same parallel reality as The Cotton Club and Chicago. A rare British love letter to classic American cinema, Bugsy Malone remains a true original; in Parker's words "the work of a madman" and one of the strangest yet most stylish children's films ever made. --Gary S. Dalkin

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Cry Wolf (Alpha and Omega, Book 1)

• ISBN13: 9780441016150
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

When the students at a prestigious prep school spread a hoax email about a serial killer, they start a game of terror and deception that has three rules: avoid suspicion, lie to your friends, and eliminate your enemies. But what starts as a joke soon turns deadly and now they find themselves victims of their own game! Starring: Julian Morris, Jared Padalecki, Lindy Booth, Jon Bon Jovi, Gary Cole, Anna Deavere Smith, Jesse Janzen, Paul James, Sandra McCoy, Ethan Cohn, Kristy Wu Directed by: Jeff WadlowNow Briggs begins an extraordinary new series set in Mercy Thompson’s worldâ€"but with rules of its own.

INTRODUCING THE ALPHA AND OMEGA NOVELS...

Anna never knew werewolves exis! ted until the night she survived a violent attack…and became one herself. After three years at the bottom of the pack, she’d learned to keep her head down and never, ever trust dominant males. But Anna is that rarest kind of werewolf: an Omega. And one of the most powerful werewolves in the country will recognize her value as a pack memberâ€"and as his mate.

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Chicken Run

• Director's commentary with Peter Lord and Nick Park
• Red along to the hilarious script
• Two Fascinating Behind-the Scees Featurettes
• Two Egg-cellent Interactive Games.
• Desk Top Icons and Pets. Calculator and Saver

Having been hopelessly repressed and facing eventual certain death at the chicken farm where they are held, Rocky the rooster and Ginger the chicken decide to rebel against the evil Mr. and Ms. Tweedy, the farm's owners. Rocky and Ginger lead their fellow chickens in a great escape from the murderous farmers and their farm of doom. --Written by Cory BoothThere were a lot of disappointments in the 2000 summer movie season, but Chicken Run wasn't one of them. Made by Aardman Animations, which produced the Oscar-winning Wallace & Gromit shorts, this is a dazzling stop-motion animation film that is both deftly funny and surprisingly touching. The co! ncept is simple: The Great Escape--with chickens. But directors Peter Lord and Nick Park take it much further than that (and remember: there's a whole generation out there that has no idea who Steve McQueen is). Julia Sawalha voices Ginger, a plucky English hen who has been trying to escape from Tweedy's chicken farm, where the vicious Mrs. Tweedy (Miranda Richardson) fries up any chicken who doesn't produce enough eggs. When egg profits slump, Mrs. Tweedy decides to turn her farm into a chicken-pie factory, giving new urgency to Ginger's plan. Enter Rocky the Flying Rooster (Mel Gibson), a brash American who has escaped from a circus and promises to teach the chickens to fly to safety. The film is filled with innumerable visual touches and the animation has a tactile quality that makes you want to reach out and touch these funny fowl. Above all, it's played with intelligence, wit, and heart--a rare combination in any film. While Chicken Run is being marketed ! to a youth audience, it truly is a family film that operates o! n both a child and an adult level. It would be a shame if grownups skipped it because they thought it was strictly for kids. --Marshall Fine

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Bambi (Two-Disc Diamond Edition)

• BAMBI: DIAMOND EDITION (DVD MOVIE)

For the first time ever, the wonder, music and majesty of one of Walt Disney's greatest triumphs comes alive in glorious detail through the magic of Blu-rayTM high definition! Now Bambi, Walt Disney's beloved coming-of-age story, will thrill a new generation of fans with its breathtakingly beautiful animation, soaring music and characters who will touch your heart-Bambi, the wide-eyed fawn, his playful pal Thumper, the loveable skunk Flower and wise Friend Owl. Plus, all-new immersive game and special features that reveal the extraordinary creative process behind the making of this timeless classic take you deeper into Bambi's world than ever before!It always comes up when people are comparing their most traumatic movie experiences: "the death of Bambi's mother," a recollection that can bring a shudder to even the most jaded filmgoer. That primal separation ! (which is no less stunning for happening off-screen) is the centerpiece of Bambi, Walt Disney's 1942 animated classic, but it is by no means the only bold stroke in the film. In its swift but somehow leisurely 69 minutes, Bambi covers a year in the life of a young deer. But in a bigger way, it measures the life cycle itself, from birth to adulthood, from childhood's freedom to grown-up responsibility. All of this is rendered in cheeky, fleet-footed style--the movie doesn't lecture, or make you feel you're being fed something that's good for you. The animation is miraculous, a lush forest in which nature is a constantly unfolding miracle (even in a spectacular fire, or those dark moments when "man was in the forest"). There are probably easier animals to draw than a young deer, and the Disney animators set themselves a challenge with Bambi's wobbly glide across an ice-covered lake, his spindly legs akimbo; but the sequence is effortless and charming. If Bambi h! imself is just a bit dull--such is the fate of an Everydeer--h! is rabbi t sidekick Thumper and a skunk named Flower more than make up for it. Many of the early Disney features have their share of lyrical moments and universal truths, but Bambi is so simple, so pure, it's almost transparent. You might borrow a phrase from Thumper and say it's downright twitterpated. --Robert Horton

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2b Eva Strapless Animal Crinkle Dress - BLACK/GOLD (XL)

• 95% polyester, 5% spandex.
• Hand wash.
• Made in USA.
• SKU 186595
• Style D8554H
• Model is 5'10" and wearing a US size S.

Their wolves are howling at the moon. Their human halves are on different planets.

Takhini Wolves, Book 1

Lone wolf Shaun Stevens’s automatic response to the words “happily ever after”? Kill me now. Yet with all his friends settling down he’s begun to think there may actually be something to this love-and-roses crap.

One thing’s for sure: his dream mate will have to out-cuss, out-spit and out-hike him. So he never expected the one to push his forever button would be a blue-blooded Southern debutante with a voice as dark and velvety as her skin.

When Gemmita Jacobs steps off the plane in Whitehorse, Yukon, it’s about more than her caribou research project. It’s her declaration ! of independence from an overprotected upbringing. Except there’s something in the air she can’t quite defineâ€"something that unexpectedly rouses her mating instincts.

Moments after their eyes lock, the deed is doneâ€"and done thoroughly. When the pheromone dust settles, though, all the reasons they don’t belong together become painfully clear.

It’s enough to make a wolf learn a whole new set of cuss words…

Warning: Two strong wolves getting exactly what they deserve. Includes wilderness nookie, shifters being naughty in public places, the Midnight Sun as a canopy for seduction and grizzly shifters on the loose. Oh, and don’t forget the sarcasm.

Their wolves are howling at the moon. Their human halves are on different planets.

Takhini Wolves, Book 1

Lone wolf Shaun Stevens’s automatic response to the words “happily ever after”? Kill me now. Yet with all his friends settling down he’s beg! un to think there may actually be something to this love-and-r! oses cra p.

One thing’s for sure: his dream mate will have to out-cuss, out-spit and out-hike him. So he never expected the one to push his forever button would be a blue-blooded Southern debutante with a voice as dark and velvety as her skin.

When Gemmita Jacobs steps off the plane in Whitehorse, Yukon, it’s about more than her caribou research project. It’s her declaration of independence from an overprotected upbringing. Except there’s something in the air she can’t quite defineâ€"something that unexpectedly rouses her mating instincts.

Moments after their eyes lock, the deed is doneâ€"and done thoroughly. When the pheromone dust settles, though, all the reasons they don’t belong together become painfully clear.

It’s enough to make a wolf learn a whole new set of cuss words…

Warning: Two strong wolves getting exactly what they deserve. Includes wilderness nookie, shifters being naughty in public places, the Midnight Sun as a! canopy for seduction and grizzly shifters on the loose. Oh, and don’t forget the sarcasm.

Billy "Goldie" Goldean is the biggest pop star in the world and he's harboring a terrible, career-killing secret: he's gay. Even with song titles such as "Astral Glider" and "Winking Brown Eye," few question Goldie's squeaky-clean teen heartthrob status. That is, until Jethro "Jett" Black, an infamous womanizer and underground punk icon, names him in the pages of Rolling Stone magazine as the celebrity he'd most like to fuck.

After Goldie and Jett hook up at an industry party, Goldie's management dumps him, Jett's exes come back to haunt them, and even Goldie's mother makes a public plea for him to come to his senses. Goldie wants to trust his untamed new lover but the pressures of fame may tear them apart.

Publisher's Note: This book contains explicit sexual content, graphic language, and situations that some readers may find objectionable: Male/male sexua! l practices.Billy "Goldie" Goldean is the biggest pop star in ! the worl d and he's harboring a terrible, career-killing secret: he's gay. Even with song titles such as "Astral Glider" and "Winking Brown Eye," few question Goldie's squeaky-clean teen heartthrob status. That is, until Jethro "Jett" Black, an infamous womanizer and underground punk icon, names him in the pages of Rolling Stone magazine as the celebrity he'd most like to fuck.

After Goldie and Jett hook up at an industry party, Goldie's management dumps him, Jett's exes come back to haunt them, and even Goldie's mother makes a public plea for him to come to his senses. Goldie wants to trust his untamed new lover but the pressures of fame may tear them apart.

Publisher's Note: This book contains explicit sexual content, graphic language, and situations that some readers may find objectionable: Male/male sexual practices.2009 release. Multi-instrumentalists Eric Ronick and Than Luu are veteran performers who have tested their respective wares by logging significant stag! e time with a variety of acts (M. Ward, Ambulance Ltd., Rachael Yamagata, Panic At The Disco, Adam Franklin of Swervedriver). They formed in early 2006 after crossing paths on the road and set up at Ronick's Thinman Studios in Brooklyn, where they wrote and recorded the bulk of their debut album, Rush. From the infectious analog synth strut of 'Detroit' to the soaring, alluring charge of 'Run,' the album is one of the warmest, most charming indie Pop offerings in recent memory. A unique listening experience by design, the music on Rush comes from an eagerness to draw on an array of styles and eras.Film is for HOME USE ONLY! Copies for public screenings or use in the classroom can be purchased from California Newsreel at www(dot)newsreel(dot)org
After oil, coffee is the most actively traded commodity in the world. But for every $2 cup of coffee, a farmer receives only a few pennies. Black Gold asks us to face the unjust conditions under which our! favorite drink is produced and to decide what we can do about! it. The film traces the tangled trail from the two billion cups of coffee consumed each day back to the coffee farmers who produce the beans. Founder of the Oromia Coffee Farmers Cooperative Union, Tadesse Meskela is fighting to help his 70,000 Ethiopian coffee farmers by seeking out buyers willing to pay a fair price. Through his journey, Tadesse begins to expose the web of greed and corruption inherent to the international trading system, including the World Trade Organization. Black Gold reminds viewers of their power to affect positive social change by way of their consumer vote. After seeing this film your coffee will never taste the same.
Film contains overprinting warning against public use in 3 points during the film, at 5 second intervals.No one thinks much of Black Gold because he is so small. But Jaydee sees something special in his eyes. He knows Black Gold would be great if he was his rider! Finally, Jaydee gets his wish. And Black Gold grow! s strong and fast under his careful hands. Soon it would be time for the most important race in America. Did they really have what it takes to win? Black Gold's inspirational story proves that the power of love and dedication can make any dream come true.

Set against the thrilling and colorful world of Thoroughbred horses, Black Gold is the true story of this legendary horse and his determined young jockey.Hot kitty in the city. This mini strapless 2b dress may have an all-over wild animal print but it's tamed with a crinkling effect that hugs your curves in all the right places. Center back to hem: 21".

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HeadOn - Apply Directly to Forehead Migraine Relief .2 oz (5.67 g)

• Head On Pain Reliever apply directly to the forehead.
• It is invisible and non greasy Homeopathic.
• It's can be used as often as needed.
• Safe to use with other medications.

HeadOn is one of the safest medications available on the market today. It can be used by anyone and as often as needed. There are no dosage restrictions or health risks associated with its use. See Drug Facts on product package.

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Dorian Blues

• Witty, knowing and immensely entertaining, Dorian Blues is a delightfully off-kilter coming-of-age tale from debut writer-director Tennyson Bardwell. Adolescence is proving a pain for Dorian (Michael McMillian). He s an outcast and the butt ofmates jokes at high school, and his football hero brother (Lea Coco) is constantly rescuing him. But everything finally begins to make sense when he realizes

Witty, knowing and immensely entertaining, Dorian Blues is a delightfully off-kilter coming-of-age tale from debut writer-director Tennyson Bardwell. Adolescence is proving a pain for Dorian (Michael McMillian). Hes an outcast and the butt of classmates jokes at high school, and his football hero brother (Lea Coco) is constantly rescuing him. But everything finally begins to make sense when he realizes that hes gay. Before his archconservative dad (Steven C. Fletcher, in a hilarious role) can throw ! him out of the house, hes off to NYU where he encounters a new world of cafes, sophisticates and handsome men but this life proves just as frustrating as his world back home.Like That 70's Show and Napolean Dynamite, director Tennyson Bardwell's debut feature, Dorian Blues, stylishly contemplates the hellishness of high school in the '70s, but through a gay protagonist. Dorian Lagatos (played by Michael McMillan) is raised by Nixon-loving conservatives, and his manly brother is star of the football team, so it's difficult for him to admit, even to himself, that he is gay. Coming-out scenes construct a picture that is wrought by fear made into dry comedy. Dorian cries to himself in the middle of the night, gets beat up in the school halls, falls in love with his male therapist, talks to a dummy in order to practice breaking the news to his father, and tries to learn how to fight his brother when he finds out that Dorian is a "sissy." When Dorian leaves f! or New York, he meets his first boyfriend, and befriends a viv! acious l esbian named El. Scenes in S&M clubs, coffee bars, and New York lofts show Dorian slowly coming to terms with his true identity. The film's opening and closing shots take place at the cemetery during Dorian's father's funeral, accentuating not only the hatred Dorian feels for this stubborn man, but also the anger and fear Dorian harbors for himself. Ultimately, he must obliterate this order to find real happiness. Dorian Blues is a study in self-confidence, made funny by familiar scenes that teenagers struggling to fit in will know all too well.--Trinie Dalton

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Cooler Master Computer Case Cooling R4-L2R-20AC-GP

• Up to 69.69 CFM (maximum RPM)
• 19 dB-A silent application for CPU cooling
• RoHS compliance for protecting the environment
• Recommended for V10, V8, Hyper 212, Hyper Z600, Gemini, Cosmos, Cosmos S, Haf 932, HAF 922, CM Storm Scout and Sniper
• 50,000 long life hours

Cooler Master R4-L2R-20AC-GP 120mm Blue LED Case Fan

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Girl, Interrupted

• ISBN13: 9780679746041
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Two time Oscar(r)-nominee Winona Ryder stars in the fascinating true story of a young woman's life-altering stay at a famous psychiatric hospital in the turbulent late 1960's. Questionably diagnosed with Borderline Personality Disorder, Susanna (Winona Ryder) rebels against the head nurse (Whoopi Goldberg) and top psychiatrist (Vanessa Redgrave), choosing instead to befriend the resident "loonies",a group of troubled women including the seductively charismatic sociopath Lisa (Angelina Jolie). But Susanna quickly learns if she wants her freedom, she'll have to face the person who terrifies her the most of all: herself.Based on Susanna Kaysen's acclaimed journal-memoir, Girl, Interrupted bears ine! vitable resemblance to One Flew Over the Cuckoo's Nest, and pale comparison to that earlier classic is impossible to avoid. The mental institution settings of both films guarantee a certain degree of déjà vu and at least one Oscar winner (in this case, Angelina Jolie), since playing a loony is any actor's dream gig. Unfortunately, director James Mangold seems to have misplaced the depth and delicacy of his underrated debut, Heavy, despite a great deal of earnest effort by everyone involved. It's easy to see why Winona Ryder chose to star in (and executive-produce) this nearly worthy adaptation of Kaysen's book, since it's a strong vehicle for female casting and potent drama. Mangold certainly got the former; whether he succeeded with the latter is not so clear.

To be sure, Ryder conveys the confusion and chaos that signified Kaysen's life during nearly 18 months of voluntary institutionalization beginning in 1967. But the film seems too eager to embrac! e the cliché that the "crazies" of the Claymoore women's war! d are sa ner than the war-torn world outside, and lack of narrative focus gives way to semipredictable character study. Susanna (Ryder) is labeled with "borderline personality disorder," a diagnosis as ambiguous as her own emotions, and while Jolie chews the scenery as the resident bad-girl sociopath, Ryder effectively conveys an odyssey from vulnerable fear to self-awareness and, finally, to healing. The ensemble cast is uniformly superb, making this drama well worthwhile, even as it treads familiar territory. If it ultimately lacks dramatic impact, Girl, Interrupted makes it painfully clear that the boundaries of dysfunction are hazy in a world where everyone's crazy once in a while. --Jeff ShannonIn 1967, after a session with a psychiatrist she'd never seen before, eighteen-year-old Susanna Kaysen was put in a taxi and sent to McLean Hospital.  She spent most of the next two years on the ward for teenage girls in a psychiatric hospital as renowned for its famous c! lientele--Sylvia Plath, Robert Lowell, James Taylor, and Ray Charles--as for its progressive methods of treating those who could afford its sanctuary.

Kaysen's memoir encompasses horror and razor-edged perception while providing vivid portraits of her fellow patients and their keepers. It is a brilliant evocation of a "parallel universe" set within the kaleidoscopically shifting landscape of the late sixties. Girl, Interrupted is a clear-sighted, unflinching documnet that gives lasting and specific dimension to our definitions of sane and insane, mental illness and recovery.When reality got "too dense" for 18-year-old Susanna Kaysen, she was hospitalized. It was 1967, and reality was too dense for many people. But few who are labeled mad and locked up for refusing to stick to an agreed-upon reality possess Kaysen's lucidity in sorting out a maelstrom of contrary perceptions. Her observations about hospital life are deftly rendered; often darkly funny. H! er clarity about the complex province of brain and mind, of n! euro-che mical activity and something more, make this book of brief essays an exquisite challenge to conventional thinking about what is normal and what is deviant.

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Guerrilla - The Taking of Patty Hearst

• The award-winning and internationally acclaimed film, GUERRILLA: THE TAKING OF PATTY HEARST is a gripping, unparalleled account of the most sensational kidnapping in American history. On February 4, 1974, college student Patty Hearst (the granddaughter of publishing tycoon William Randolph Hearst) was boldly snatched from her apartment by a flamboyant terrorist group called the Symbionese Liber

The award-winning and internationally acclaimed film, GUERRILLA: THE TAKING OF PATTY HEARST is a gripping, unparalleled account of the most sensational kidnapping in American history."Death to the fascist insect that preys on the life of the people!" declared the Symbionese Liberation Army, the domestic terrorist group that kidnapped newspaper heiress Patty Hearst and demanded a massive food program for the poor in exchange for her release. Guerrilla: The Taking of Patty Hearst examines this se! nsational case with a measured, sardonic view of every side; the SLA was born in the crucible of the Vietnam War and Kent State, but the documentary neither forgives nor condemns their actions (which include bank robbery, bombings, and murder). Instead, the SLA and the media bonanza that surrounded them become an astonishing petri dish of social and political trends that resonate with even more force today. Using interviews with reporters and surviving members of the SLA, footage from news reports and Hollywood movies, director Robert Stone (Radio Bikini) has crafted a smart, suspenseful thriller that mesmerizes even if you know the whole history. A superb documentary; the dvd is even better as it includes uncut footage from the security cameras of one of the bank robberies; the sentencing of the 2003 trial of four SLA members; complete audio recordings of Patty Hearst's media statements; and a balanced, thoughtful commentary from Stone. --Bret Fetzer

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RVCA Rodriguez Brothers Shirt - Long-Sleeve - Men's Red Oxide, L

• 100% cotton
• RVCA tag at left pocket and left side seam
• Button up front with a snap top button
• Double button (one of which is a snap) cuffs
• Two button closure chest pockets

We're all skaters, and that makes us all brothers, so feel free to rock the hip RVCA Men's Rodriguez Brothers Shirt when you pop wood on the streets. And then when you head out of town for some camping, you'll be expected to take the helm as designated wood-chopper given you'll be sporting the plaid flannel.

Product Features

• Material: cotton
• Fit: slim
• Center Back Length:
• Pockets: 2 chest patch
• Thumbholes:
• SPF Rating:
• UPF Rating:
• Recommended Use: streetwear
• Manufacturer Warranty: 6 months

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Gunnin' For That #1 Spot (Special 2 Disc Set)

• GUNNIN' FOR THAT #1 SPOT 2 DISC SET (DVD MOVIE)

GUNNIN FOR THAT 1 SPOT - DVD Movie It takes a while to hit its stride, but once that happens, Beastie Boy Adam Yauch’s Gunnin' for That #1 Spot does a terrific job capturing the hustle and flow of basketball, the sport it depicts. "They’re gonna be millionaires in about five years," says the P.A. announcer (a hip and hilarious character known as Bobbito) of the players from around the country who come to compete in the first "Elite 24 High School All-American Game," held in ’06 in Harlem’s Rucker Park, home to countless playground legends. For some, including 2008 NBA first-round draft picks Kevin Love, Michael Beasley, and Jerryd Bayless, it happened a lot sooner than that; for others it won’t happened at all. But at the time, all the studs on the Blue and White teams had big-time hoop dreams, and the Rucker event was a chance ! to strut their stuff on a big stage. Problem is, it takes the better part of an hour to get to the actual game; profiles of the players, including visits to their home towns and interviews with friends, family, and others, are perfectly amiable but end up being rather monotonous (fewer than half are included in the documentary itself, with the others found on the second DVD, which is devoted entirely to bonus material). But when they finally hit the outdoor court, the doc starts to rock (never were a sport and a music style better matched than basketball and hip-hop, so it’s no surprise that Yauch’s use of tracks by Ludacris, Nas, Jay-Z, his own band, and many others, including Old Skool R&B stars like Kool and the Gang, is nigh on perfect). The game is by far the best part of the show, with great court-level fisheye shots and deft editing (including the use of slo-mo and sound effects); Bobbito is a hoot (a personal favorite among his nicknames: Kyle "Wireless" Singler! ), and it’s a close, exciting contest to boot. Among the oth! er bonus material are deleted scenes, the players’ own home video footage of their trip to NYC, and even a section devoted to Beasley’s trash talk on the court. --Sam Graham

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Elite Squad

• An action-packed thriller that follows an elite police battalion (BOPE) tasked with cleaning up a drug-ridden Rio de Janeiro slum in advance of the pope's 1997 visit. A team of trained killers, they struggle to do what's right in a corrupt system and dangerous neighborhood. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: NR Age: 796019815482 UPC: 79601981

Celebrated with worldwide acclaim, this powerful true story of crime and redemption has won numerous prestigious awards around the globe! The streets of the world's most notorious slum, Rio de Janeiro's "City of God" are a place where combat photographers fear to tread, police rarely go and residents are lucky if they live to the age of 20. In the midst of the oppressive crime and violence, a frail and scared young boy will grow up to discover that he can view the harsh realities of his surroundings with a different eye, the eye of an ! artist. In the face of impossible odds, his brave ambition to become a professional photographer becomes a window into his world and ultimately his way out!Like cinematic dynamite, City of God lights a fuse under its squalid Brazilian ghetto, and we're a captive audience to its violent explosion. The titular favela is home to a seething army of impoverished children who grow, over the film's ambitious 20-year timeframe, into cutthroat killers, drug lords, and feral survivors. In the vortex of this maelstrom is L'il Z (Leandro Firmino da Hora--like most of the cast, a nonprofessional actor), self-appointed king of the dealers, determined to eliminate all competition at the expense of his corrupted soul. With enough visual vitality and provocative substance to spark heated debate (and box-office gold) in Brazil, codirectors Fernando Meirelles and Kátia Lund tackle their subject head on, creating a portrait of youthful anarchy so appalling--and so authentically ! immediate--that City of God prompted reforms in socioec! onomic p olicy. It's a bracing feat of stylistic audacity, borrowing from a dozen other films to form its own unique identity. You'll flinch, but you can't look away. --Jeff ShannonCelebrated with worldwide acclaim, this powerful true story of crime and redemption has won numerous prestigious awards around the globe! The streets of the world's most notorious slum, Rio de Janeiro's "City of God," are a place where combat photographers fear to tread, police rarely go, and residents are lucky if they live to the age of 20. In the midst of the oppressive crime and violence, a frail and scared young boy will grow up to discover that he can view the harsh realities of his surroundings with a different eye: the eye of an artist. In the face of impossible odds, his brave ambition to become a professional photographer becomes a window into his world ... and ultimately his way out!Like cinematic dynamite, City of God lights a fuse under its squalid Brazilian ghetto, and we're a c! aptive audience to its violent explosion. The titular favela is home to a seething army of impoverished children who grow, over the film's ambitious 20-year timeframe, into cutthroat killers, drug lords, and feral survivors. In the vortex of this maelstrom is L'il Z (Leandro Firmino da Hora--like most of the cast, a nonprofessional actor), self-appointed king of the dealers, determined to eliminate all competition at the expense of his corrupted soul. With enough visual vitality and provocative substance to spark heated debate (and box-office gold) in Brazil, codirectors Fernando Meirelles and Kátia Lund tackle their subject head on, creating a portrait of youthful anarchy so appalling--and so authentically immediate--that City of God prompted reforms in socioeconomic policy. It's a bracing feat of stylistic audacity, borrowing from a dozen other films to form its own unique identity. You'll flinch, but you can't look away. --Jeff ShannonLike cinematic! dynamite, City of God lights a fuse under its squalid ! Brazilia n ghetto, and we're a captive audience to its violent explosion. The titular favela is home to a seething army of impoverished children who grow, over the film's ambitious 20-year timeframe, into cutthroat killers, drug lords, and feral survivors. In the vortex of this maelstrom is L'il Z (Leandro Firmino da Hora--like most of the cast, a nonprofessional actor), self-appointed king of the dealers, determined to eliminate all competition at the expense of his corrupted soul. With enough visual vitality and provocative substance to spark heated debate (and box-office gold) in Brazil, codirectors Fernando Meirelles and Kátia Lund tackle their subject head on, creating a portrait of youthful anarchy so appalling--and so authentically immediate--that City of God prompted reforms in socioeconomic policy. It's a bracing feat of stylistic audacity, borrowing from a dozen other films to form its own unique identity. You'll flinch, but you can't look away. --Jeff Sha! nnonPaulo Morelli's film is a pacy, bloody thriller that pays warm tribute to a diverse cross-section of American directors including Quentin Tarantino and Michael Bay. Bullets zing across the screen, heavy artillery is deployed at all times, and Morelli makes great use of the twisty favela streets during some frantic chase sequence. Silva and Cunha, who both had roles in CITY OF GOD, carry the picture with impressive ease, and while CITY OF MEN isn't an official sequel to Meirelles's lauded picture, it does serve as a neat continuation of that film's unshakable portrayal of the violence that has beset so many young lives in the slums of Rio de Janeiro.Action-packed and fueled by Brazilian funk, City of Men returns the makers of City of God to the scene of their first success. In this case, the search for family supersedes the search for identity--not that there isn't a correlation between the two. Though produced by Fernando Meirelles, Paulo Morelli's fea! ture isn't a sequel, but a follow-up to the four-season series! of the same name. While Meirelles's movie takes place in Rio de Janeiro's past, Morelli's transpires in the present (not counting flashbacks from the show). Days away from turning 18, boyhood friends Acerola (Douglas Silva) and Laranjinha, a.k.a. Wallace (Darlan Cunha), grew up without fathers. Ace has a wife and child; Wallace has a steady girl. The duo gets along with the gang that rules their labyrinthine hillside neighborhood or favela, but hoodlum life holds little appeal. Ace struggles to raise his young son--his security guard father was murdered during a robbery--while Wallace tries to track down the dad he never knew. With Ace's assistance, Wallace solves the mystery of his genealogy, but at great cost to their friendship (and lives). Despite the South American pedigree, City of Men suggests the South Central of Boyz N the Hood more than City of God. It's not that Morelli's kinetic film looks like John Singleton's more classically composed enter! prise, but that it deals with similar inner-city concerns. That said, Silva and Cunha are every bit as charismatic as Ice Cube and Cuba Gooding Jr.--if not more so. --Kathleen C. FennessySaint Augustine of Hippo is one of the central figures in the history of Christianity, and this book is one of his greatest theological works. Written as an eloquent defense of the faith at a time when the Roman Empire was on the brink of collapse, it examines the ancient pagan religions of Rome, the arguments of the Greek philosophers and the revelations of the Bible. Pointing the way forward to a citizenship that transcends worldly politics and will last for eternity, this book is one of the most influential documents in the development of Christianity.

One of the great cornerstones in the history of Christian thought, The City of God is vital to an understanding of modern Western society and how it came into being. Begun in A.D. 413, the book's initial purpose was to r! efute the charge that Christianity was to blame for the fall o! f Rome ( which had occurred just three years earlier). Indeed, Augustine produced a wealth of evidence to prove that paganism bore within itself the seeds of its own destruction. However, over the next thirteen years that it took to complete the work, the brilliant ecclesiastic proceeded to his larger theme: a cosmic interpretation of history in terms of the struggle between good and evil. By means of his contrast of the earthly and heavenly cities--the one pagan, self-centered, and contemptuous of God and the other devout, God-centered, and in search of grace--Augustine explored and interpreted human history in relation to eternity.An action-packed thriller that follows an elite police battalion (BOPE) tasked with cleaning up a drug-ridden Rio de Janeiro slum in advance of the pope's 1997 visit. A team of trained killers, they struggle to do what's right in a corrupt system and dangerous neighborhood.Though José Padilha's action-packed crime drama won the top prize at the Berlin F! ilm Festival, a steady stream of controversy and acclaim has followed in its wake. Some critics have even accused the director of promoting fascism, while Padilha (Bus 174) contends that Elite Squad argues against police brutality. Like Vic Mackey, who heads up The Shield's LA strike force, narrator Captain Nascimento (Wagner Moura) heads up Rio de Janeiro's Police Special Operations Battalion (BOPE). It’s 1997, the Pope arrives for a visit in six months, and BOPE will stop at nothing to reduce crime in the favelas. The way they see it, drug traffickers have them outmanned and outgunned, so there's no point in playing by the rules. With their black uniforms and berets, the Skulls certainly cut an imposing figure. New police recruits Neto (Caio Junqueira) and aspiring lawyer Matias (André Ramiro) turn to Nascimento when their efforts to operate by the book only lead to frustration (Matias was inspired by author/law student/BOPE member André Ba! tista). The burned-out captain sees his salvation in the two c! hildhood friends; as soon as he selects a replacement, he plans to leave the force and spend time with his pregnant wife. Nascimento may find his man, but the ending is far from happy. Brutal and bleakly funny, Elite Squad depicts 1990s Rio as Danté's Ninth Circle of Hell. Nonetheless, Brazilians made the film an even bigger sensation than City of God, to which it serves as an essential companion piece. --Kathleen C. Fennessy

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Hope Floats

• Widescreen
• Dolby Digital

Birdee Pruitt (Bullock) has a life most people would envy. But when her cheating husband reveals infidelity to her on a national TV talk show, her perfect life comes crashing down. Devastated, Birdee and her young daughter head home to the small town she left behind. As mother and daughter struggle to adjust to their new lives, Birdee slowly gains the strength to open her heart and find hope again.Cute-as-a-button Sandra Bullock is a homemaker who learns that her husband and best friend are having an affair. The so-called best friend reveals this information on a national chat show, leaving Bullock devastated and disgraced. Heading back to her small hometown in Texas, she seeks refuge with her eccentric mother. Laconic Harry Connick Jr., a former high-school classmate, attempts to bring Bullock out of her depression and win her heart. He has, you see, b! een carrying a torch for her since they were kids.

You will not need a crystal ball to see where this is going. It works as a middling romance, but is an annoying waste of potential. The script has much to say about finding your true identity, but does so with all the sentimentality and depth of a Hallmark card. --Rochelle O'GormanBirdee Pruitt (Sandra Bullock) has a life most people would envy. But when her cheating husband reveals infidelity to her on a national TV talk show, her perfect life comes crashing down. Devastated, Birdee and her young daughter head home to the small town she left behind. As mother and daughter struggle to adjust to their new lives, Birdee slowly gains the strength to open her heart and find hope again. Cute-as-a-button Sandra Bullock is a homemaker who learns that her husband and best friend are having an affair. The so-called best friend reveals this information on a national chat show, leaving Bullock devastated and disgraced. Headi! ng back to her small hometown in Texas, she seeks refuge with ! her ecce ntric mother. Laconic Harry Connick Jr., a former high-school classmate, attempts to bring Bullock out of her depression and win her heart. He has, you see, been carrying a torch for her since they were kids.

You will not need a crystal ball to see where this is going. It works as a middling romance, but is an annoying waste of potential. The script has much to say about finding your true identity, but does so with all the sentimentality and depth of a Hallmark card. --Rochelle O'GormanCute-as-a-button Sandra Bullock is a homemaker who learns that her husband and best friend are having an affair. The so-called best friend reveals this information on a national chat show, leaving Bullock devastated and disgraced. Heading back to her small hometown in Texas, she seeks refuge with her eccentric mother. Laconic Harry Connick Jr., a former high-school classmate, attempts to bring Bullock out of her depression and win her heart. He has, you see, been carrying a torch for! her since they were kids.

You will not need a crystal ball to see where this is going. It works as a middling romance, but is an annoying waste of potential. The script has much to say about finding your true identity, but does so with all the sentimentality and depth of a Hallmark card. --Rochelle O'GormanCute-as-a-button Sandra Bullock is a homemaker who learns that her husband and best friend are having an affair. The so-called best friend reveals this information on a national chat show, leaving Bullock devastated and disgraced. Heading back to her small hometown in Texas, she seeks refuge with her eccentric mother. Laconic Harry Connick Jr., a former high-school classmate, attempts to bring Bullock out of her depression and win her heart. He has, you see, been carrying a torch for her since they were kids.

You will not need a crystal ball to see where this is going. It works as a middling romance, but is an annoying waste of potential. The script has much! to say about finding your true identity, but does so with all! the sen timentality and depth of a Hallmark card. --Rochelle O'GormanThree dramas on 3 DVD in one set.No Description Available.
Genre: Soundtracks & Scores
Media Format: Compact Disk
Rating:
Release Date: 24-APR-2007

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Hotel Atlantico - Movie Poster - 27 x 40 Inch (69 x 102 cm)

• You are looking at a great poster.
• This poster measures approx. 27 x 40.
• Rolled and shipped in a sturdy tube.
• This poster is from Hotel Atlantico (2009)

MovieGoods has Amazon's largest selection of movie and TV show memorabilia, including posters, film cells and more: tens of thousands of items to choose from. We also offer a full selection of framed posters. Customer satisfaction is always guaranteed when you buy from MovieGoods on Amazon.

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Blade Trinity (Unrated Version)

• The final battle begins and the trinity comes to an end! Blade is back and his enemies have grown in number since they resurrected their king, Dracula. Together with a new group of vampire hunters, called the Nightstalkers, led by Whistler's strong but beautiful daughter Abigail and the wise-cracking Hannibal, they must finally defeat the vampires or face inevitable extinction.Running Time: 123 mi

The final battle begins and the trinity comes to an end! Blade is back and his enemies have grown in number since they resurrected their king, Dracula. Together with a new group of vampire hunters, called the Nightstalkers, led by Whistler's strong but beautiful daughter Abigail and the wise-cracking Hannibal, they must finally defeat the vampires or face inevitable extinction.Even skeptical fans of the Blade franchise will enjoy sinking their teeth into Blade: Trinity. The law of dimi! nishing returns is in full effect here, and the franchise is wearing out its welcome, but let's face it: any movie that features Jessica Biel as an ass-kicking vampire slayer and Parker Posey--yes, Parker Posey!--as a vamping vampire villainess can't be all bad, right? Those lovely ladies bring equal measures of relief and grief to Blade, the half-human, half-vampire once again played, with tongue more firmly in stone-cold cheek, by Wesley Snipes. With series writer David S. Goyer in the director's chair, the film is calculated for mainstream appeal, trading suspenseful horror for campy humor and choppy, nonsensical action. The franchise still offers some intriguing ideas, however, including Drake (Dominic Purcell), the original vampire, whose blood contains the secret that could destroy all blood-suckers in a plot that incorporates a sinister "blood farm" where humans are held--and drained--in suspended animation. And Biel's wise-cracking sidekick (Ryan Reynolds) in her ca! dre of "Nightstalkers" provides comic relief in a series that'! s grown increasingly dour. All of which makes Blade: Trinity a love-it-or-hate-it sequel... supposedly the last in a trilogy, but the ending suggests otherwise. --Jeff Shannon

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Hey Hey It's Esther Blueburger

• This film is a smart, rueful and dead-on portrait of life's unending quest to fit in; and the girl who solves it by completely breaking out - introduces a feisty outsider hero unlike any other seen on screen. Esther Blueburger's quest begins when she escapes from her Bat Mitzvah party and is befriended by Sunni., the effortlessly cool girl who is everything Esther thinks she wants to be. With the

HEY HEY ITS ESTHER BLUEBURGER - sometimes to fit in you have to stand out.

A hilarious coming of age comedy

Hey, Hey Its Esther Blueburger is a hilarious coming of age comedy that explores what its really like to be an outsider in your own world. Esther (newcomer Danielle Catanzariti) is not like other girls; she befriends a duck, talks to God through the toilet and break-dances at her bat-mitzvah. Her school is a daily torment of mind-numbing conformity and bell-ringing rituals. Home i! s a pressure cooker driven by her mother Graces (Essie Davis) demand for perfection. But life changes when Esther meets uber hip Sunni, (Keisha Castle- Hughes) and her off beat single mother Mary (Toni Collette) and slips out of her oppressive all-girls private school and into a public one under the guise of a foreign exchange student. She learns that its ok to be different and that being true to yourself is more important than fitting in.

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The Phantom of the Opera (Widescreen Edition)

• TESTED

Expanded edition includes a bonus disc with 11 tracks.For better or worse, Andrew Lloyd Webber's adaptation of Gaston Leroux's gothic horror/romance novel has done for stage musicals what Spielberg's Jaws did for fish stories, with worldwide sales of its original cast album approaching 25 million. While director Joel Schumacher's film turns on his typically ambitious visual verve, its new film soundtrack recording has been paradoxically focused in scope, yet beefed up dynamically via the brawny presence of a hundred piece orchestra and the London Boys Choir. This deluxe, double-disc version showcases all of Phantom's key songs, with Gerard Butler imparting a welcome, youthful sensuality to his Phantom, making a fine foil for Emmy Rossum's ever-conflicted Christine. Original show orchestrator David Cullen has fashioned compelling new contemporary arrangements to frame We! bber's songs--which now conclude with the lilting, upbeat new ballad he wrote for the film, "Learn to Be Lonely," sung by Minnie Driver. --Jerry McCulleySoundtrack to the long awaited film adaptation of the blockbuster stage musical.For better or worse, Andrew Lloyd Webber's adaptation of Gaston Leroux's gothic horror/romance novel has done for stage musicals what Spielberg's Jaws did for fish stories, with worldwide sales of its original cast album approaching 25 million. While director Joel Schumacher's film turns on his typically ambitious visual verve, its new film soundtrack recording has been paradoxically focused in scope, yet beefed up dynamically via the brawny presence of a hundred piece orchestra and The London Boys Choir. This single disc version showcases all of Phantom's key songs (a deluxe, double-disc edition is also available), with Gerard Butler imparting a welcome, youthful sensuality to his Phantom, making a fine foil for Emmy Rossu! m's ever-conflicted Christine. Original show orchestrator Davi! d Cullen has fashioned compelling new contemporary arrangements to frame Webber's songs -- which now conclude with the lilting, upbeat new ballad he wrote for the film, "Learn to Be Lonely," sung by Minnie Driver. --Jerry McCulleyThe Royal Albert Hall in London comes alive to the passionate melodies and songs from the shows of Andrew Lloyd Webber. Enjoy the magic of this night of a thousand stars. Directed by: David MalletIn 1998 a concert at the Royal Albert Hall celebrated Sir Andrew Lloyd Webber's 50th birthday and featured more than two hours of hits from a body of work spanning almost three decades. In this keepsake of a memorable night, star after star steps on to a massive, Eurovision-style set to revisit golden moments in their long association with Britain's most successful composer of musicals. Elaine Paige in big frocks and an even bigger voice delivers "Don't Cry for Me, Argentina" and "Memory" with her usual power; Michael Ball and Donny Osmond stretch the last! vestiges of boyish charm to the very limits but still sound great; and Boyzone gets the youth vote. Then there are Kiri Te Kanawa, Bonnie Tyler, Tina Arena, and, of course, another encore for brother Julian Lloyd Webber and those Variations on the cello. But the stars are Sir Andrew's ex-wife Sarah Brightman in an outstanding selection from The Phantom of the Opera (probably his best work), Antonio Banderas (who really can sing), and Glenn Close, a stupendous, moving Norma Desmond in songs from Sunset Boulevard. All in all, a deserved celebration for someone who has given so many people a great deal of pleasure, and a treat for musicals fans of all ages. --Piers FordMusical Drama based on Andrew Lloyd Webber's celebrated musical phenomenon. The Phantom of the Opera tells the story of a disfigured musical genius (Gerard Butler) who haunts the catacombs beneath the Paris Opera, waging a reign of terror over its occupants. When he falls fatally in love wi! th the lovely Christine (Emmy Rossum), the Phantom devotes him! self to creating a new star for the Opera, exerting a strange sense of control over the young soprano as he nurtures her extraordinary talents.Although it's not as bold as Oscar darling Chicago, The Phantom of the Opera continues the resuscitation of the movie musical with a faithful adaptation of Andrew Lloyd Webber's blockbuster stage musical. Emmy Rossum glows in a breakout role as opera ingénue Christine Daae, and if phantom Gerard Butler isn't Rossum's match vocally, he does convey menace and sensuality in such numbers as "The Music of the Night." The most experienced musical theater veteran in the cast, romantic lead Patrick Wilson, sings sweetly but seems wooden. The biggest name in the cast, Minnie Driver, hams it up as diva Carlotta, and she's the only principal whose voice was dubbed (though she does sing the closing-credit number, "Learn to Be Lonely," which is also the only new song).

Director Joel Schumacher, no stranger to visual spectacle, seems ! to have found a good match in Lloyd Webber's larger-than-life vision of Gaston LeRoux's Gothic horror-romance. His weakness is cuing too many audience-reaction shots and showing too much of the lurking Phantom, but when he calms down and lets Rossum sings "Wishing You Were Somehow Here Again" alone in a silent graveyard, it's exquisite.

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Those who consider the stage musical shallow and overblown probably won't have their minds changed by the movie, and devotees will forever rue that the movie took the better part of two decades to develop, which prevented the casting of original principals Michael Crawford and Sarah Brightman. Still, The Phantom of the Opera is a welcome exception to the long line of ill-conceived Broadway-to-movie travesties. DVD Features
The special edition of The Ph! antom of the Opera has two major extras. "Behind the Mask: The Story of The Phantom of the Opera" is an hourlong documentary tracing the genesis of the stage show, with interviews of composer Andrew Lloyd Webber, director Harold Prince, producer Cameron Macintosh, lyricists Richard Stilgoe and Charles Hart, choreographer Gillian Lynne, and others. Conspicuously absent are stars Sarah Brightman and Michael Crawford. Both do appear in video clips, including Brightman performing with Colm Wilkinson at an early workshop, and Crawford is the subject of a casting segment. Other brief scenes from the show are represented by a 2001 production. The other major feature is the 45-minute making-of focusing on the movie, including casting and the selection of director Joel Schumacher Both are well-done productions by Lloyd Webber's Really Useful Group.

The deleted scene is a new song written by Lloyd Webber and Charles Hart, "No One Would Listen," sung by the Phantom toward the! end of the movie. It's a beautiful song that, along with Madame Giry's story, makes him a more sympathetic character. But because that bit of backstory already slowed down the ending, it was probably a good move to cut the song. --David Horiuchi

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