Friday, November 25, 2011

Atonement (Full Screen Edition)

  • Condition: New
  • Format: DVD
  • AC-3; Color; Dolby; Dubbed; DVD; Full Screen; Subtitled; NTSC
Ian McEwan s symphonic novel of love and war, childhood and class, guilt and forgiveness provides all the satisfaction of a brilliant narrative and the provocation we have come to expect from this master of English prose.

On a hot summer day in 1935, thirteen-year-old Briony Tallis witnesses a moment s flirtation between her older sister, Cecilia, and Robbie Turner, the son of a servant and Cecilia s childhood friend. But Briony s incomplete grasp of adult motives together with her precocious literary gifts brings about a crime that will change all their lives. As it follows that crime s repercussions through the chaos and carnage of World War II and into the close of the twentieth century, Atonement engages the reader on every conceivable level, with an ease and authority th! at mark it as a genuine masterpiece.Ian McEwan's Booker Prize-nominated Atonement is his first novel since Amsterdam took home the prize in 1998. But while Amsterdam was a slim, sleek piece, Atonement is a more sturdy, more ambitious work, allowing McEwan more room to play, think, and experiment.

We meet 13-year-old Briony Tallis in the summer of 1935, as she attempts to stage a production of her new drama "The Trials of Arabella" to welcome home her older, idolized brother Leon. But she soon discovers that her cousins, the glamorous Lola and the twin boys Jackson and Pierrot, aren't up to the task, and directorial ambitions are abandoned as more interesting prospects of preoccupation come onto the scene. The charlady's son, Robbie Turner, appears to be forcing Briony's sister Cecilia to strip in the fountain and sends her obscene letters; Leon has brought home a dim chocolate magnate keen for a war to promote his new "Army Ammo" chocolate ! bar; and upstairs, Briony's migraine-stricken mother Emily kee! ps tabs on the house from her bed. Soon, secrets emerge that change the lives of everyone present....

The interwar, upper-middle-class setting of the book's long, masterfully sustained opening section might recall Virginia Woolf or Henry Green, but as we move forward--eventually to the turn of the 21st century--the novel's central concerns emerge, and McEwan's voice becomes clear, even personal. For at heart, Atonement is about the pleasures, pains, and dangers of writing, and perhaps even more, about the challenge of controlling what readers make of your writing. McEwan shouldn't have any doubts about readers of Atonement: this is a thoughtful, provocative, and at times moving book that will have readers applauding. --Alan Stewart, Amazon.co.ukFrom the award-winning director of Pride and Prejudice comes a stunning, critically acclaimed epic story of love. When a young girl catches her sister in a passionate embrace with a childhood friend, her jealousy dr! ives her to tell a lie that will irrevocably change the course of all their lives forever. Academy Award® nominee Keira Knightley and James McAvoy lead an all-star cast in the film critics are hailing "the year's best picture" (Thelma Adams, US Weekly).Director Joe Wright (Pride and Prejudice) gives Ian McEwan’s bestselling novel a sumptuous treatment for the screen that should come to be regarded as one of the defining films of the epic romantic drama. Indeed, everything about this film stems from those three words: there is little here that is not epic, romantic, and dramatic, and Atonement is a film that masterfully expresses the overarching sense of adventure and emotion that such stories are meant to convey. In this instance, the story centers around the love story of highborn Cecilia Tallis (Keira Knightley) and housekeeper’s son Robbie Turner (James McAvoy, in a star-making turn), in England shortly before World War II. Despite their class differen! ces, they are powerfully attracted to each other, and just as ! their re lationship begins Robbie is tragically forced away due to false accusations from Cecilia’s younger sister Briony (Saoirse Ronan). She has a crush on Robbie, too, and after reading a private letter he sent to Cecilia, and then witnessing the first expression of their mutual love but mistaking it for mistreatment, her resentment grows until it leads to her telling the lie that will send Robbie away. Soon World War II breaks out; Robbie enlists and is posted to France, Cecilia is a nurse in London, and Briony, now age 18 and aware of what she has done, tries to atone for her actions--but none of them will be able to get back what they have lost. Knightley and McAvoy are perfectly cast as the young star crossed lovers, and the young Ronan is particularly impressive, but it’s clear that the real star of this film is the director. Wright allows Atonement to revel in every moment of its story and each scene is compelling in its own way, but that now famous extended shot ! with Robbie on the beach at Dunkirk--filmed in one take and sure to be considered one of the great long tracking shots in film history--is the most memorable moment in this remarkable film. Atonement is an excellent example of what can happen when a great book meets great filmmaking. This is one that is not to be missed. --Daniel Vancini

Stills from Atonement (click for larger image).













A small Minnesota town is stunned by the murder of their beloved mayor. Chief Archie Schultz, with the help of the his lady friend and the quirky towns folk, Archie solves the case. Murder in West Clover Bottom is a murder mystery laced with humor.A long history of biblical exegesis and theological reflection has shaped our understanding of the atonement today. The more prominent highlights of this history have acquired familiar names for the household of faith: Christus Victor, penal substitutionary, subjective, and governmental. Recently the penal substitutionary view, and particularly its misappropriations, has been critiqued, and a lively debate has taken hold within evangelicalism. This book offers a "panel" discussion of four views of atonement maintained by four evangelical scholars. T! he proponents and their views are: Gregory A. Boyd: Chr! istus Vi ctor view Joel B. Green: Kaleidescopic view Bruce R. Reichenbach: Healing view Thomas R. Schreiner: Penal Substitutionary view Following an introduction written by the editors, each participant first puts forth the case for their view. Each view is followed by responses from the other three participants, noting points of agreement as well as disagreement. This is a book that will help Christians understand the issues, grasp the differences and proceed toward a clearer articulation of their understanding of the atonement.From the award-winning director of Pride and Prejudice comes a stunning, critically acclaimed epic story of love. When a young girl catches her sister in a passionate embrace with a childhood friend, her jealousy drives her to tell a lie that will irrevocably change the course of all their lives forever. Academy Award® nominee Keira Knightley and James McAvoy lead an all-star cast in the film critics are hailing "the year's best picture" (Thelm! a Adams, US Weekly).Director Joe Wright (Pride and Prejudice) gives Ian McEwan’s bestselling novel a sumptuous treatment for the screen that should come to be regarded as one of the defining films of the epic romantic drama. Indeed, everything about this film stems from those three words: there is little here that is not epic, romantic, and dramatic, and Atonement is a film that masterfully expresses the overarching sense of adventure and emotion that such stories are meant to convey. In this instance, the story centers around the love story of highborn Cecilia Tallis (Keira Knightley) and housekeeper’s son Robbie Turner (James McAvoy, in a star-making turn), in England shortly before World War II. Despite their class differences, they are powerfully attracted to each other, and just as their relationship begins Robbie is tragically forced away due to false accusations from Cecilia’s younger sister Briony (Saoirse Ronan). She has a crush on Robbie, too, ! and after reading a private letter he sent to Cecilia, and the! n witnes sing the first expression of their mutual love but mistaking it for mistreatment, her resentment grows until it leads to her telling the lie that will send Robbie away. Soon World War II breaks out; Robbie enlists and is posted to France, Cecilia is a nurse in London, and Briony, now age 18 and aware of what she has done, tries to atone for her actions--but none of them will be able to get back what they have lost. Knightley and McAvoy are perfectly cast as the young star crossed lovers, and the young Ronan is particularly impressive, but it’s clear that the real star of this film is the director. Wright allows Atonement to revel in every moment of its story and each scene is compelling in its own way, but that now famous extended shot with Robbie on the beach at Dunkirk--filmed in one take and sure to be considered one of the great long tracking shots in film history--is the most memorable moment in this remarkable film. Atonement is an excellent example of ! what can happen when a great book meets great filmmaking. This is one that is not to be missed. --Daniel Vancini

Stills from Atonement (click for larger image).













Caught Up!

  • ISBN13: 9780972800501
  • Condition: Used - Very Good
  • Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Studio: Lions Gate Home Ent. Release Date: 01/20/2004It's no wonder Caught Up only garnered haphazard theatrical release in 1998. Director Darin Scott, who is credited with screenplay nods for Tales from the Hood and Sprung, tosses everything--including the kitchen sink--into this noir rip-off that borrows liberally from Chinatown and Bound but lacks the intelligent gravity and grace of the first classic or the stylish, tongue-in-cheek fun of the second. Starring Bokeem Woodbine as Darryl, an ex-con who wants to go straight but who keeps finding himself in unlucky circumstances, Caught Up has laughable dialogue and terrible bug-eyed over-emoting that tries to pass fo! r acting, and wastes the laconic beauty of One False Move costar Cynda Williams, as a femme fatale named Vanessa Dietrich (honest!). Vanessa wraps Darryl around her little finger and embroils him in a voodoo-esque drug plot that will have the viewer rolling on the floor in disbelief. Had Caught Up played its convoluted plot for laughs, it may have at least been a camp parody on the genre, but as it is, it doesn't avoid a single cinematic cliché. Caught Up is a goofy mess of contradictions and implausibility. --Paula NechakIt's no wonder Caught Up only garnered haphazard theatrical release in 1998. Director Darin Scott, who is credited with screenplay nods for Tales from the Hood and Sprung, tosses everything--including the kitchen sink--into this noir rip-off that borrows liberally from Chinatown and Bound but lacks the intelligent gravity and grace of the former and the stylish, tongue-in-cheek fun of the l! atter. Starring Bokeem Woodbine as Darryl, an ex-con who wants! to go s traight but who keeps finding himself in unlucky circumstances, Caught Up has laughable dialogue and terrible bug-eyed over-emoting that tries to pass for acting and wastes the laconic beauty of One False Move costar Cynda Williams, who plays a femme fatale named Vanessa Dietrich (honest!). Vanessa wraps Darryl around her little finger and embroils him in a voodoo-esque drug plot that will have the viewer rolling on the floor in disbelief. Had Caught Up played its convoluted plot for laughs, it may have at least been a camp parody on the genre, but as it is, it doesn't avoid a single cinematic cliché. The DVD comes with a slew of music videos, the radio and TV spot, as well as a director's commentary track. But don't be fooled by all the goodies--they're simply a smokescreen to nudge the audience into thinking the film is important and worthy. Caught Up is a goofy mess of contradictions and implausibility. --Paula Nechak It's no wonder ! Caught Up only garnered haphazard theatrical release in 1998. Director Darin Scott, who is credited with screenplay nods for Tales from the Hood and Sprung, tosses everything--including the kitchen sink--into this noir rip-off that borrows liberally from Chinatown and Bound but lacks the intelligent gravity and grace of the first classic or the stylish, tongue-in-cheek fun of the second. Starring Bokeem Woodbine as Darryl, an ex-con who wants to go straight but who keeps finding himself in unlucky circumstances, Caught Up has laughable dialogue and terrible bug-eyed over-emoting that tries to pass for acting, and wastes the laconic beauty of One False Move costar Cynda Williams, as a femme fatale named Vanessa Dietrich (honest!). Vanessa wraps Darryl around her little finger and embroils him in a voodoo-esque drug plot that will have the viewer rolling on the floor in disbelief. Had Caught Up played its convoluted! plot for laughs, it may have at least been a camp parody on ! the genr e, but as it is, it doesn't avoid a single cinematic cliché. Caught Up is a goofy mess of contradictions and implausibility. --Paula NechakWhen Raven Klein, a bi-racial woman from Iowa moves to Atlanta in hopes of finding a life she's secretly dreamed about, she finds more than she ever imagined. Quickly lured and lost in a world of sex, money, power-struggles, betrayal & deceit, Raven doesn't know who she can really trust!

A chance meeting at a bus terminal leads to her delving into the seedy world of strip-clubs, big-ballers and shot-callers. Now, Raven's shuffling through more men than a Vegas blackjack dealer does a deck of cards. And sex has even become mundane -- little more than a tool to get what she wants.

After a famous acquaintance winds-up dead -- On which shoulder will Raven lean? A wrong choice could cost her life! There's a reason they call it HOTATLANTA!

AND NOW....LADIES AND GENTLEMEN ORIGINAL MOVIE POSTER

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Claude Lelouch may never be the most profound director in the world, but he sure knows how to whip up a catchy distraction. And Now Ladies & Gentlemen finds Lelouch in a skippy, unpredictable mode. Jeremy Irons, who seems to be enjoying himself enormously, is a thief who sets out on a sailing voyage, only to fetch up in Morocco after he blacks out at the helm. There he meets sultry singer Patricia Kaas (her first acting role); it turns out they both might have brain tumors. Did someone say this is a romantic comedy? It is, complete with musical numbers (Kaas glides through a cozy cross-section of French pop music, including the theme from A Man and a Woman, Lelouch's '60s smash). The m! ovie's all over the place, and it spins its wheels for the final half-hour, but there are certain kinds of romantics who will find this sort of thing irresistible. --Robert HortonClaude Lelouch may never be the most profound director in the world, but he sure knows how to whip up a catchy distraction. And Now Ladies & Gentlemen finds Lelouch in a skippy, unpredictable mode. Jeremy Irons, who seems to be enjoying himself enormously, is a thief who sets out on a sailing voyage, only to fetch up in Morocco after he blacks out at the helm. There he meets sultry singer Patricia Kaas (her first acting role); it turns out they both might have brain tumors. Did someone say this is a romantic comedy? It is, complete with musical numbers (Kaas glides through a cozy cross-section of French pop music, including the theme from A Man and a Woman, Lelouch's '60s smash). The movie's all over the place, and it spins its wheels for the final half-hour, but there are cert! ain kinds of romantics who will find this sort of thing irresi! stible. --Robert HortonA Claude Lelouch Film Widescreen CollectionLadies and Gentlemen… The Rolling Stones finally comes to DVD. This legendary Rolling Stones concert film, shot over four nights in Texas during the "Exile ON Main Street" tour in 1972, was released in cinemas for limited engagements in 1974 and has remained largely unseen since. Now, restored and remastered, Ladies and Gentlemen makes its first authorized appearance on DVD. This is one of the finest Rolling Stones concerts ever captured on film and features outstanding performances of classic tracks from the late '60s and early '70s. Claude Lelouch may never be the most profound director in the world, but he sure knows how to whip up a catchy distraction. And Now Ladies & Gentlemen finds Lelouch in a skippy, unpredictable mode. Jeremy Irons, who seems to be enjoying himself enormously, is a thief who sets out on a sailing voyage, only to fetch up in Morocco after he blacks out at the helm. There he meets sultry singer Patricia Kaa! s (her first acting role); it turns out they both might have brain tumors. Did someone say this is a romantic comedy? It is, complete with musical numbers (Kaas glides through a cozy cross-section of French pop music, including the theme from A Man and a Woman, Lelouch's '60s smash). The movie's all over the place, and it spins its wheels for the final half-hour, but there are certain kinds of romantics who will find this sort of thing irresistible. --Robert HortonPRODUCT DESCRIPTION: At Moviestore we have an unbeatable range of both original and classic high quality reproduction movie posters. Movie poster art is a wonderful collectible item and great for home or office decor. We have been in business for 16 years so you can buy with confidence. Our guarantee - if you are not fully satisfied with your purchase from Moviestore we will gladly refund your money.

The Alphabet Killer

  • A ten year old girl is found brutally murdered outside the small blue-collar city of Rochester, New York, and obsessed police detective Megan Paige (Eliza Dushku of BUFFY THE VAMPIRE SLAYER and DOLLHOUSE) suffers a mental breakdown while trying to solve the crime. But when the child-killings resume two years later, Megan s return to the investigation also brings back her own horrific hallucination
Between 1971 and 1973, three young girls, ages ten to eleven, were found sexually assaulted and slain near Rochester, New York. The girls all had double initials for their first and last names and were found dead in suburbs with names in which the first letter co-ordinated with the girls' initials. Two prime suspects later committed suicide. A third suspect, Kenneth Bianchi, went to California where he went on to become one of the infamous Hillside Stranglers, but to this day he insists he had nothi! ng to do with the so-called Double Initial, or Alphabet, murders. The crimes remain unsolved, but interest in the case was re-energised with the release of a fictionalised motion picture loosely based on the murders. This factual account, the first book fully devoted to the case, explores the crime and the ongoing investigation.Between 1971 and 1973, three young girls, ages ten to eleven, were found sexually assaulted and slain near Rochester, New York. The girls all had double initials for their first and last names and were found dead in suburbs with names in which the first letter co-ordinated with the girls' initials. Two prime suspects later committed suicide. A third suspect, Kenneth Bianchi, went to California where he went on to become one of the infamous Hillside Stranglers, but to this day he insists he had nothing to do with the so-called Double Initial, or Alphabet, murders. The crimes remain unsolved, but interest in the case was re-energised with the release o! f a fictionalised motion picture loosely based on the murders.! This fa ctual account, the first book fully devoted to the case, explores the crime and the ongoing investigation.Between 1971 and 1973, three young girls, ages ten to eleven, were found sexually assaulted and slain near Rochester, New York. The girls all had double initials for their first and last names and were found dead in suburbs with names in which the first letter co-ordinated with the girls' initials. Two prime suspects later committed suicide. A third suspect, Kenneth Bianchi, went to California where he went on to become one of the infamous Hillside Stranglers, but to this day he insists he had nothing to do with the so-called Double Initial, or Alphabet, murders. The crimes remain unsolved, but interest in the case was re-energised with the release of a fictionalised motion picture loosely based on the murders. This factual account, the first book fully devoted to the case, explores the crime and the ongoing investigation.A ten year old girl is found brutally murdered ou! tside the small blue-collar city of Rochester, New York, and obsessed police detective Megan Paige (Eliza Dushku of BUFFY THE VAMPIRE SLAYER and DOLLHOUSE) suffers a mental breakdown while trying to solve the crime. But when the child-killings resume two years later, Megan’s return to the investigation also brings back her own horrific hallucinations.  Even if she can prove a ‘double initial’ connection to the slayings, will she hang onto her sanity long enough to catch a psychopath? Cary Elwes (SAW), Michael Ironside (STARSHIP TROOPERS), Bill Moseley (THE DEVIL’S REJECTS), Carl Lumbly (ALIAS) and Academy Award® winner Timothy Hutton co-star in this chilling thriller directed by Rob Schmidt.In the spirit of suspense films and television shows that focus on the sleuth’s attempt to make something out of senseless violence, Alphabet Killer is less about the murders it details than about the detective,! Megan Paige (Eliza Dushku of Buffy the Vampire Slayer), who suffers mentally for studying brutality. Though opening scenes show young girls slayed at various wooded Rochester, New York crime scenes, the film quickly digresses into Megan’s stressed relationship with her co-detective lover, Kenneth Shine (Cary Elwes), who watches her obsession with the case spiral out of control. As murders continue, Megan gets psychic leads and is haunted by the ghosts of the wrongly deceased, but cannot solve the case. Megan’s diagnosis as a schizophrenic complicates matters greatly, and elevates the film into deeper story, especially when one senses, through subtle filmic clues, the creepiness of Megan’s therapist, Richard Ledge (Timothy Hutton). Some silly, dramatized enactments of mental illness on Dushku’s part do not help convince the viewer through fine acting, though one may be willing to look past this in hopes for pending potential spookiness. And the conundrum posed by Megan in her therapy group is engaging: manic peop! le do often excel due to intuition, yet it is their ability to experience the world differently that gets them into trouble. Although the ghosts hallucinations are unconvincing, and Dushku probably could have used more research before she took the role, Alphabet Killer captivates because it shows how convoluted layers of reality can confuse even the sharpest detective. The disturbing thing about Alphabet Killer is not the film itself but the idea behind it: that the majority of what we know and trust is illusory, and that truth is discovered best through madness. --Trinie Dalton

Stills from The Alphabet Killer (Click for larger image)



Gerson Everlasting Glow 3 Piece Set 3 by 4,6,8 Inch Pearl White Colored Flameless Candles

  • Pearl white color
  • 2 AA batteries included
  • 3" by 4"
  • 3" by 6"
  • 3" by 8"
Studio: Paramount Home Video Release Date: 01/06/2004 Run time: 103 minutes Rating: RIt's hard to believe that a movie about two hairpiece salesmen in war-torn Northern Ireland--a comedy, no less--could work at all, but An Everlasting Piece does work, though perhaps not in the way one would expect. Colm (Barry McEvoy, who also wrote the screenplay) is a new barber at a mental institution and bonds with his fellow barber George (Brian F. O'Byrne) even though Colm is Catholic and George is Protestant. A new patient arrives, who turns out to have been the owner of the only wig company in all of Northern Ireland. Figuring that having a monopoly means easy money, Colm and George convince the new patient to give them his client list, and they're off on a series of rambling comic adventures! , aided by Colm's girlfriend Bronagh (Anna Friel, A Midsummer Night's Dream). But when a wig is found at the site of an act of IRA sabotage, the salesmen's lives get suddenly complicated. What makes An Everlasting Piece work is not that it ignores the Irish conflict, but that it pays close attention to it; in fact, the tension of civil strife is a crucial element of the movie's humor, allowing it to dip into a more serious mood without becoming preachy or pretentious. The actors are uniformly excellent; Friel is particularly charming. A comedy about wigs sounds like goofy slapstick; An Everlasting Piece is actually thoughtful and richly human. Directed by Barry Levinson (Diner, Rain Man, Wag the Dog). --Bret Fetzer 3 piece set pearl white flameless LED candles with wavy edge

Ghosts of the Abyss

  • Walt Disney Pictures and James Cameron, the Academy Award(R)-winning director of TITANIC (1997), present the groundbreaking cinematic achievement GHOSTS OF THE ABYSS. Joined by his personal friend Bill Paxton (TITANIC) and a team of the world's foremost history and marine experts, Cameron journeys back to the site of his greatest inspiration -- the legendary wreck of the Titanic. During the vo
Walt Disney Pictures and James Cameron, the Academy Award(R)-winning director of TITANIC (1997), present the groundbreaking cinematic achievement GHOSTS OF THE ABYSS. Joined by his personal friend Bill Paxton (TITANIC) and a team of the world's foremost history and marine experts, Cameron journeys back to the site of his greatest inspiration -- the legendary wreck of the Titanic. During the voyage, you will explore the entire ship, deck by deck, room by room, encountering mysteries that have remained hi! dden for almost a century. Revolutionary underwater robots were designed and built solely for the purpose of allowing the explorers to peer deep into the remains of the once great ship and bring those surreal and haunting images back to the surface. Loaded with never-before-seen footage, revealing interviews, and innovative DVD bonuses, this unprecedented motion picture event is a must-own companion for anyone who loves TITANIC.Even without its original 3-D IMAX presentation, James Cameron's Ghosts of the Abyss is still an eerily elegant tour of history's most infamous shipwreck. Six years after his original journey to the rusting hulk of the Titanic (where he captured footage for his 1997 blockbuster), Cameron returned to the wreckage with actor Bill Paxton, a team of Russian and American scientists, the world's most knowledgeable Titanic historians, and enough state-of-the-art technology to film the most complete and intimate exploration of the ill-fa! ted ship's remains. Astonishing footage, flawless digital anim! ation, a nd ghostly re-creations of the ship's final hours are seamlessly combined to orient the viewer at an intersection of tragic past and awe-inspiring present, emphasizing more than ever the sheer scale of Titanic's gargantuan construction. Signs of luxury remain, 90 years later, while the terrorist attacks of September 11, 2001 (occurring here in mid-mission) place this unforgettable journey into resonant, humanitarian perspective. --Jeff Shannon

How to Eat Fried Worms (New Line Platinum Series)

  • Author Thomas Rockwell's hugely popular book, "How to Eat Fried Worms", is now brought to the big screen! On his first day at a new school, eleven-year-old Billy goes up against the school bully in a challenge that ends up with a total gross-out date.to eat 10 worms in one day! As the pressure mounts, Billy must summon all his strength to meet the dare, all the while keeping his weak stomach from
Because of a bet, Billy is in the uncomfortable position of having to eat fifteen worms in fifteen days. The worms are supplied by his opponent, whose motto is "The bigger and juicier, the better!" At first Billy's problem is whether or not he can swallow the worm placed before him, even with a choice of condiments from peanut butter to horseradish. But later it looks as if Billy will win, and the challenge becomes getting to the worm to eat it. Billy's family, after checking with the doctor, takes e! verything in stride. They even help Billy through his gastronomic ordeal, which twists and turns with each new day, leaving the outcome of the bet continually in doubt.


From the Paperback edition.How to Eat Fried Worms has happily repulsed children since its original publication in 1973. Now youngsters can experience this classic story in a whole new yucky way, by listening to it on audiocassette. Narrator Jay O. Sanders gives extra kick and vitality to this already lively yarn. He throws himself into the role of a 10-year-old boy, facing the most revolting bet of his life. Billy must eat 15 worms in 15 days--but the reward will be worth it: $50 for a shiny new minibike. Luckily, Billy's friends cook up these fat juicy grubs in a variety of appetizing ways--drenched in ketchup and mustard, fried in butter and cornmeal, and the pièce de résistance, a Whizband Worm Delight (an ice-cream worm cake). Sanders derives obvious pleasure from re! ading (and singing) out loud the hilarious rhymes and childis! h chants concocted from the mind of the book's author, Thomas Rockwell.

"Trout, Salmon, flounder, perch,
I'll ride my minibike into church.
Dace, tuna, haddock, trout,
Wait'll you hear the minister shout."

How to Eat Fried Worms is a ghastly gastronomical treat that will dazzle young listeners. (Running time: two hours, two cassettes) --Naomi GesingerThis is a unit study only. It does NOT include the novel.

We recommend you read this on a 1 font

This unit study offers many wonderful activities to use while having students read the
book. There are between 6 and 10 lessons. Activities in this lesson include Fill in the Blank, Multiple Choice, True and False, Comprehension, Encyclopedia Skills Activity, Journal Activity, Vocabulary, Sequencing, Handwriting, Main Idea, Prediction, Comparison

Literature Skills Activities including: Main Character, Main Setting, Main Problem, Possible Solutions, Character Traits,! Character Interaction, Cause and Effect, Description, Pyramid of Importance, Villain vs. Hero.

Creative Writing Activities including: Letter, Fairy Tale, Mystery, Science Fiction, Fable, Dream or Nightmare, Tall Tale, Memoir, Newberry Award, A Different Ending.

Writing Skills Activities including: Description, Expository, Dialogue, Process, Point of View, Persuasion, Compare and Contrast, Sequel, Climax and Plot Analysis.

Poetry Skills Activities including: Couplet, Triplet, Quinzain, Haiku, Cinquain, Tanka, Diamanté, Lantern and Shape Poem.

Create a Newspaper Layout Activities including: Editorial, Travel, Advice Column, Comics, Society News, Sports, Obituary, Weddings, Book Review, Want Ads, Word Search.

Poster Board Activities including: Collage, Theater Poster, Wanted Poster, Coat of Arms, Story Quilt, Chalk Art, Silhouette, Board Game Construction, Door Sign, Jeopardy.

We also offer an extended versio! n of this unit which comes in a PDF format and offers Lapbook ! instruct ions, Hands on Art and Creative Art activities. If you purchase this unit study and let us know by sending us proof of purchase, we will download the extended version of this full unit with the additional activities in PDF version to you for $1 more. Send proof of purchase to www.hshighlights.com.

This is a unit study only. It does NOT include the novel.

We recommend you read this on a 1 font

This unit study offers many wonderful activities to use while having students read the
book. There are between 6 and 10 lessons. Activities in this lesson include Fill in the Blank, Multiple Choice, True and False, Comprehension, Encyclopedia Skills Activity, Journal Activity, Vocabulary, Sequencing, Handwriting, Main Idea, Prediction, Comparison

Literature Skills Activities including: Main Character, Main Setting, Main Problem, Possible Solutions, Character Traits, Character Interaction, Cause and Effect, Description, Pyramid of Importance, Villain! vs. Hero.

Creative Writing Activities including: Letter, Fairy Tale, Mystery, Science Fiction, Fable, Dream or Nightmare, Tall Tale, Memoir, Newberry Award, A Different Ending.

Writing Skills Activities including: Description, Expository, Dialogue, Process, Point of View, Persuasion, Compare and Contrast, Sequel, Climax and Plot Analysis.

Poetry Skills Activities including: Couplet, Triplet, Quinzain, Haiku, Cinquain, Tanka, Diamanté, Lantern and Shape Poem.

Create a Newspaper Layout Activities including: Editorial, Travel, Advice Column, Comics, Society News, Sports, Obituary, Weddings, Book Review, Want Ads, Word Search.

Poster Board Activities including: Collage, Theater Poster, Wanted Poster, Coat of Arms, Story Quilt, Chalk Art, Silhouette, Board Game Construction, Door Sign, Jeopardy.

We also offer an extended version of this unit which comes in a PDF format and offers Lapbook instructions, Hands on Art and Creative Art act! ivities. If you purchase this unit study and let us know by se! nding us proof of purchase, we will download the extended version of this full unit with the additional activities in PDF version to you for $1 more. Send proof of purchase to www.hshighlights.com.

Author Thomas Rockwell's hugely popular book, "How to Eat Fried Worms", is now brought to the big screen! On his first day at a new school, eleven-year-old Billy goes up against the school bully in a challenge that ends up with a total gross-out date...to eat 10 worms in one day! As the pressure mounts, Billy must summon all his strength to meet the dare, all the while keeping his weak stomach from betraying him and his big mouth from getting him in even more trouble!The popular 1973 kid's book How to Eat Fried Worms gets a respectful, straightforward translation with this 2006 movie. When bullies put worms in his thermos, Billy fights back--and only gets in deeper trouble when he makes a stomach-churning bet that he can eat ten worms. Using a variety of cooking schemes, ! the pack of bullies make a slimy meal even more repulsive, but Billy--to his own surprise--takes on everything they throw at him. As the disgustingness escalates, he discovers that not everyone is what they seem. Though many story elements are changed from the book, How to Eat Fried Worms treats the situation and characters with intelligence and integrity. There are a few cartoonish moments (including some inventive animated sequences), but overall the movie is down-to-earth and sincere, delivering some simple and unforced messages about courage and friendship along with the gross-out humor. The kids--including Luke Benward (Because of Winn-Dixie) as Billy and Hallie Kate Eisenberg (probably best known from a series of popular Pepsi ads) as a too-tall girl who shares Billy's outsider status--aren't overly slick, and the scenes between Billy and his father (Tom Cavanaugh, from the TV show Ed) feel honest and unpatronizing. A modest but heartfelt movie. --Bret Fetzer

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