Gone Dark

• An undercover drug agent (Claire Forlani) has been "in" too long. The line between her job and her assumed lifestyle as girlfriend to the crime boss (Pete Postlethwaite) has become blurred). As her double life begins to unravel she must do whatever it takes to stay alive and keep New York City's biggest drug bust from going up in smoke. BONUS MATERIALS: , Cast Interviews , Filmographies

A WIDOWEDER CHEFS LEARNS TO LIVE, LOVE AND COOCK AGAIN, WHEN HE OPENS A PUB IN THE COUNTRY AND FALLS FOR AN AMERICAN FOOD CRITICAN UNDERCOVER DRUG AGENT HAS BEEN 'IN' TOO LONG. THE LINE BETWEEN HER JOB & HER ASSUMED LIFESTYLE AS GIRLFRIEND TO THE CRIME BOSS HAS BECOME BLURRED. AS HER DOUBLE LIFE BEGINS TO UNRAVEL, SHE MUST DO WHATEVER IT TAKES TO STAY ALIVE & KEEP NEW YORK CITY'S BIGGEST DRUG BUST FROM GOING UP IN SMOKE.

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I Really Hate My Job

• Though they may seem like hired help, the staff at this London eatery are far more than just waitresses--at least according to them. An actor, a writer, and even a revolutionary hide behind the aprons and bad attitudes of these young women. And when a Hollywood actor (Danny Huston) makes a reservation, it throws them into a hilarious frenzy of speculation and introspection. Neve Campbell, Shirley

Neve Campbell, Dominic Chianese and Fred Weller star in this smoldering erotic thriller about a femme fatale exploring the frightening reach of her sexual power - and the red-hot fusion of money, power and desire. Directed by James Toback, When Will I Be Loved is an "illumination of sexual and identity politics" (Slant Magazine) that sizzles and seduces.Neve Campbell is an arresting enigma in When Will I Be Loved, one of writer-director James Toback's most mysterious and successful minimalist ! dramas about sex, deception, and mutable identities in New York City. Campbell plays twentysomething beauty Vera, whose nude shower scene during the film's opening credits looks more like mythic preparation for a soon-to-be-fateful day than brazen exploitation. Ensconced in a fantastic loft paid for by her parents (Barry Primus, Karen Allen), the unemployed Vera embarks on an odyssey that begins with a mutually deceitful job interview with a college professor (Toback), leads to misadventures in questionable perception in Central Park, and climaxes with Vera's successful manipulation of two powerful men, one a craven lover (Fred Weller) and the other an Italian billionaire (Dominic Chianese) trying to get her in bed for a lot of money. Provocative as a good urban legend, the film sticks with one for a long time. --Tom KeoghI REALLY HATE MY JOB - DVD Movie

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Sunny Poster Movie Korean 11 x 17 Inches - 28cm x 44cm Ho-jeong Yu Sim Eun-Kyeong Hee-kyung Jin Min-yeong Kim Su-hee Go Kang So-ra Lee Yeon-Kyeong

• 11 x 17 Inches - 28cm x 44cm
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In 1959 South Korea was mired in poverty. By 1979 it had a powerful industrial economy and a vibrant civil society in the making, which would lead to a democratic breakthrough eight years later. The transformation took place during the years of Park Chung Hee’s presidency. Park seized power in a coup in 1961 and ruled as a virtual dictator until his assassination in October 1979. He is credited with modernizing South Korea, but at a huge political and social cost.

South Korea’s political ! landscape under Park defies easy categorization. The state was predatory yet technocratic, reform-minded yet quick to crack down on dissidents in the name of political order. The nation was balanced uneasily between opposition forces calling for democratic reforms and the Park government’s obsession with economic growth. The chaebol (a powerful conglomerate of multinationals based in South Korea) received massive government support to pioneer new growth industries, even as a nationwide campaign of economic shock therapyâ€"interest hikes, devaluation, and wage cutsâ€"met strong public resistance and caused considerable hardship.

This landmark volume examines South Korea’s era of development as a study in the complex politics of modernization. Drawing on an extraordinary range of sources in both English and Korean, these essays recover and contextualize many of the ambiguities in South Korea’s trajectory from poverty to a sustainable high rate of economic growth.Sunny Reproduction Poster Print Korean Style A 11 x 17 Inch! es - 28c m x 44cm

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