Wednesday, August 17, 2011

The Replacements Framed Poster Movie Style C 27 x 40 Inches - 69cm x 102cm Keanu Reeves Gene Hackman Jon Favreau Orlando Jones Jack Warden Brooke Langton Rhys Ifans

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  • Approximate 27 x 40 Inches - 69cm x 102cm The Replacements Style C Framed Poster
An enterprising lawyer, action on a report that a female colleague is up to make partner, plays up the established rumor that heĆ¢€™s gay in order to better his chances at edging out his competition.Approximate 27 x 40 Inches - 69cm x 102cm The Replacements Style C

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Monday, August 15, 2011

Bleak House (Special Edition)

  • It has always been recognized as one of Charles Dickens's literary masterworks, but this Bleak House is now fast moving, daring, gripping television. Here is the murder mystery, the love story, the comic genius and the tantalizing scandal of the novel but, stripped of its sentimentality, we find ourselves swept along by a pulsating and edgy drama. Out of an interminable court case spin three young
Gillian Anderson stars in this dark thriller about a couple that embarks on a violent spree after surviving a gang attack. Driving back from a posh party at a country estate, Alice (Anderson) and Adam (Danny Dyer) find themselves brutally assaulted by a group of hunters. Physically and emotionally devastated by the attack, the tables suddenly turn when they discover the identity of their attackers. This time, itĆ¢€™s their turn to exact the ultimate revenge.The X-Files' Gillian Anderson give! s an impressive performance as a woman obsessed by revenge in this sleek and chilly English thriller by documentary filmmaker Dan Reed. Anderson is top-billed as a Brit businesswoman who invites the rough-hewn tech (Danny Dyer) who's installing her security system to a business party in the country. Slow-boiling sexual tension between the two to an erotic encounter in the woods Ć¢€" which is soon undercut by a savage attack by a group of local hunters, who rape Anderson and beat Dyer senseless. As they recover, viewers soon learn that the pair's trauma runs deeper than just the physical level Ć¢€" Dyer is emotionally shattered, and Anderson is gripped by a need to repay her attackers with violence more terrible than what they visited upon her. Though the plot occasionally veers into implausible territory, the couple's search for the guilty party Ć¢€" and the gruesome fate they have in store for them Ć¢€" is unnerving, and made all the more so by Anderson intense turn, which pre! sents a torrent of conflicting emotions raging just below her ! cool, po rcelain surface. - Paul GaitaHOUSE OF MIRTH - DVD MovieMeticulously adapted from Edith Wharton's 1905 novel, The House of Mirth may seem at first to be as dry (and as flat) as pressed flowers, but it's quickly evident that director Terence Davies and X-Files star Gillian Anderson (in a breakthrough film role) have tapped directly into the venality of Wharton's New York society. As the ill-fated socialite Lily Bart, Anderson perfectly conveys the understated wit and craftiness of a woman who knows how to play the game, and yet learns too late that it's loaded with ruthless, unspoken rules. Rising above the traditional crop of "marriageable girls," Lily is desired by any number of men who could ensure her place among the moneyed elite, but she deflects their courtship; lawyer Lawrence Selden (Eric Stoltz) is her true love but, tragically, his modest financial status leads them both into a cycle of unfulfilled romance.

Instead, Lily makes too many assum! ptions about her station, offending her aunt (Eleanor Bron), falling into a financial obligation to a manipulative investor (a curiously apt role for Dan Aykroyd), ostracized by a "friend" (Laura Linney), and refusing help from her most prominent would-be suitor (Anthony LaPaglia). All of these gaffes combine to forge Lily's downfall, and Anderson brilliantly captures the horror and confusion of a woman who is shocked when her expectations are no longer matched by her reality. Lily grows defenseless and dependent, and The House of Mirth evolves from stately reserve to become a devastating portrait of class cruelty. Heavy stuff, to be sure, but expertly crafted and blessed by Anderson's complex and heartbreaking performance. --Jeff ShannonIt has always been recognized as one of Charles Dickens's literary masterworks, but this Bleak House is now fast moving, daring, gripping television. Here is the murder mystery, the love story, the comic genius and the tantali! zing scandal of the novel but, stripped of its sentimentality,! we find ourselves swept along by a pulsating and edgy drama. Out of an interminable court case spin three young people, each seaching for their place in the world. The story moves fast - swirling through a incredible array of characters from passionate young lovers, from an ice-cold aristocratic beauty to a shrewd, relentless detective - until the final thrilling climax. With a screenplay by Andrew Davies (Pride and Prejudice), Bleak House features a galaxy of major stars from feature film, television and comedy.Andrew Davies isn't much of household name in the U.S., but he's the king of the BBC mini-series. His skillfully adapted scripts for Pride & Prejudice (the beloved Colin Firth version) and many, many more are peerless examples of classic novels done right--cunningly edited and shaped to let all the rich emotion and sharp intelligence spill over with zip and vigor. Bleak House is no exception; it's one of the best Dickens adaptations to date. The mini-series fo! rm allows Dickens' panoramic view, brimming with eccentric characters and complex turns of plot, to sprawl out without losing an iota of suspense or momentum. Two innocent young orphans (Patrick Kennedy and Carey Mulligan) are the potential heirs to a fortune, but their fates are snarled in a monumental legal battle known as Jarndyce and Jarndyce. But the heart of the story is another orphan, Esther Summerson (Anna Maxwell Martin), whose mysterious parentage proves to be intertwined with the fate of the Jarndyce wards and the aloof Lady Dedlock (Gillian Anderson, The X-Files). Dickens' story twines through an excoriating vision of the legal system to heartbreaking domestic drama to a murder investigation to near-Gothic horror, all broken into utterly delicious half-hour segments (after the hour-long opening episode). Martin is utterly beguiling, homely at one moment and luminous the next; Anderson's grippingly eerie and brittle performance will delight her fans. But! to single out anyone seems absurd, because every character--f! rom the vicious lawyer Tulkinghorn (Charles Dance, White Mischief) to the foppish parasite Skimpole (Nathaniel Parker, The Inspector Lynley Mysteries) to the simpering clerk Guppy (Burn Gorman)--is intricately drawn, all hitting a mesmerizing balance between caricature and stark emotional honesty. Bleak House demonstrates that humor, pathos, and social criticism can all be contained in one wonderfully entertaining package. --Bret Fetzer

Beyond Erotica

  • After suffering the loss of his late father's dynasty, Juan (David Hemmings) turns to a life of cruelty to restore his personal sense of power. Louise (Alida Valli), Juan's spineless mother, reluctantly endures her son's unnatural cruelties. An innocent peasant girl (Andrea Rau), falls victim to Juan's twisted actions and is tortured and degraded to the point of submission. Yet rev
After suffering the loss of his late father's dynasty, Juan (David Hemmings) turns to a life of cruelty to restore his personal sense of power. Louise (Alida Valli), Juan's spineless mother, reluctantly endures her son's unnatural cruelties. An innocent peasant girl (Andrea Rau), falls victim to Juan's twisted actions and is tortured and degraded to the point of submission. Yet revenge lurks in the horizon as Lola is the one who gains the true strength...the power so vital to Juan's existence.

Run Time: 87 mins

Sunday, August 14, 2011

All My Life: A Memoir

  • ISBN13: 9780062061843
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When Susan Lucci and All My Children were introduced to the world in 1970, American television changed forever. SusanĆ¢€™s character, the beautiful, spirited, and mercurial Erica Kane, was an originalĆ¢€"the first vixen viewers loved to hate. But while millions have enjoyed getting to know EricaĆ¢€™s many sides, the woman who played her has remained a mystery.

In her long-awaited memoir, this very private actress, wife, mother, daughter, grandmother, sister, friend, and entrepreneur pulls back the curtain to reveal her story. As charming, down-to-earth, and compelling as the woman whose story it tells, All My Life shines a spotlight on one of our most popular stars and reminds u! s of the power of dreams and how we can find the courage and tenacity to make them come true.

Product Description
"See that moon up there?
You can reach that high.
Never be afraid because you can be anything you want to be."

Susan Lucci was only five years old when her father shared these encouraging words with her. They inspired the highly imaginative child who loved make-believe to craft one of the most enduring characters in television history, an achievement that would earn her a record twenty-one Emmy nominationsĆ¢€"the most for an actor in the award's historyĆ¢€"and the crown as "Leading Lady of Daytime."

When Lucci and All My Children were introduced to the world in 1971, American television changed forever. Susan's character, the beautiful, spirited, and mercurial Erica Kane, was an originalĆ¢€"the first vixen viewers loved to hate. But while millions have enjoyed getting to know Erica's many s! idesĆ¢€"and have been awed at how this character has continuall! y remade herselfĆ¢€"the woman who plays her has remained a mystery.

In her long-awaited memoir, this very private actress, wife, mother, daughter, grandmother, sister, friend, and entrepreneur pulls back the curtain to reveal her story.

Susan, like Erica Kane, has undergone a metamorphosis many times. All My Life shares the stories of those transformations: starring in roles on television and stage, where she took Broadway not just by storm but "by tsunami" as one critic raved about her performance in Annie Get Your Gun; mounting successful cabaret acts (solo and with Regis Philbin); bringing art and joy back to New York in the wake of 9/11; conquering the tango with Tony Dovolani on ABC's hit show Dancing with the Stars; and building a successful career as an entrepreneur with a signature line of products.

Susan goes beyond her success to talk about the darker moments, too, including the childhood guilt she harbored over the death o! f her dear grandmother, the car accident that nearly took away her career and her eyesight, her newborn son's life-threatening illness, coping with her husband's cancer, and the pain of miscarriageĆ¢€"one of the many parallels between her Erica Kane.

As charming, down-to-earth, and compelling as the woman whose story it tells, All My Life shines a spotlight on one of our most popular stars and reminds us of the power of dreams and how we can find the courage and tenacity to make them come true.

A Look Inside All My Life
Click on the images below to open larger versions.

Here I am at eleven months old. Of course, my greatest blessings have been family and friends. This is my real-life leading man and husband, Helmut Huber, on our wedding day. This is adorable Liza, one-years-old, all bundled up in the snow. (IĆ¢€™m bundled up, too, in a cozy hand-knitted hat and sweater from the Norwegian mom who hosted me during my studies abroad.) Inside my dressing room at All My Children in Los Angeles.



Saturday, August 13, 2011

Chak De India Poster Movie German 11x17 Shahrukh Khan Vidya Malvade Tanya Abrol Chitrashi Rawat

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Chak De India reproduction Approx. Size: 11 x 17 Inches - 28cm x 44cm German Style A mini poster print

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Thursday, August 11, 2011

Dor Movie Poster (11 x 17 Inches - 28cm x 44cm) (2006) India Style A -(Ayesha Takia)(Shreyas Talpade)(Gul Panag)(Girish Karnad)(Prateeksha Lonkar)(Rushad Rana)

  • Dor Poster Mini Promo (11 x 17 Inches - 28cm x 44cm) India Style A
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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Gul Panag is an Indian actress, model, and former beauty queen who competed in the Miss Universe pageant. Her notable films include Dor, Dhoop, Manorama Six Feet Under, Hello, and Straight. Gul started her education in Sangrur, in Punjab. However, her father's army career ensured that, she moved to different places across India. As a r! esult of this, she studied in 14 different schools including Kendriya Vidyalayas, The Lawrence School, Lovedale and the International School of Lusaka, Zambia. She did her Bachelors in Mathematics from Punjabi University, Patiala, and Masters in Political Science from Panjab University, Chandigarh. As a student, Panag was interested in sports and public speaking. She won numerous state and national level debate competitions, including two gold medals at the Annual National Inter University Debate competition. Gul won the coveted Miss India title in 1999, and was crowned Miss Beautiful Smile at the same pageantDor Poster (11 x 17 Inches - 28cm x 44cm) (2006) India Style A reproduction poster print

CAST: Ayesha Takia,Shreyas Talpade,Gul Panag,Girish Karnad,Prateeksha Lonkar,Rushad Rana,Anirudh Jaykar,Shivani Joshi,Uttara Baokar,Pavan Singh,Banwarilal Taneja,Ikhlaq Khan,Veena Sajnani,Vibhu Kashyap,Dhruv Jagasiya; DIRECTED BY: Nagesh Kukunoor;

Legally Blonde Poster Movie Double Sided 11x17 Reese Witherspoon Matthew Davis Selma Blair

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  • Legally Blonde Double Sided Poster
Molly Shannon (Saturday Night Live) and Selma Blair (Legally Blonde) bring their comedy talents to the sassy and fashionably funny series Kath & Kim. Kath (Shannon), a foxy 40-something, and Kim (Blair), a self-absorbed suburban princess, are forced to reevaluate their hilariously askew mother-daughter relationship when Kim moves home after just a few weeks of marriage. Join them in every fun Season One episode as they aspire to be just like the pop culture celebrities they love while dealing with th! e more down-to-earth men in their lives. Based on the successful Australian series of the same name comes this hilarious, tongue-in-cheek look at relationships that has plenty of outrageous style to spare!The American version of Kath & Kim, based on the wildly successful Australian sitcom, owes as much to its talented lead actresses, Molly Shannon (Kath) and Selma Blair (Kim), as to its witty premise, and the combination makes the series a lovely guilty pleasure.

Mother (Kath) and daughter (Kim) are obsessed with celebrity culture and fancy themselves celeb wannabes in their own mall-centric world. Both actresses have perfected the red-carpet catwalk, for instance, with the perfect hair-toss, which nobody but each other--and the viewer--really notices. One of the best bits about the two leads is their penchant for mangling words as they put on airs (think Archie Bunker meets Married with ChildrenĆ¢€¦). The malapropos alone make the series worth watching. In ! making some silly point, Kath declares, in her closing line: "! Ipso fat so." Argument won. But if Kath and Kim are shallower than the Los Angeles River, they do have big hearts underneath--which gives the series its balance.

Extras include deleted scenes, a gag reel that's truly over-the-top, and spot-on commentary by stars Shannon, Blair, Mikey Day, and John Michael Higgins, as well as the show's executive producers and writers. A lot of talent goes into making these women so perfectly dim. --A.T. Hurley "From Todd Solondz, the critically acclaimed director of Welcome to the Dollhouse comes a film comprised of two separate stories set against the sadly comical terrain of college and high school, past and present. Following the paths of its young hopeful/troubled characters, it explores issues of sex, race, celebrity and exploitation. Todd Solondz, director of the acclaimed Welcome to the Dollhouse and the controversial Happiness, continues pushing the envelope of social decorum with the merciless and casually cruel S! torytelling, his most ruthless satire of suburban complacency. Broken into two unrelated chapters, "Fiction" follows college girl Selma Blair through a degrading encounter with her resentful writing teacher (Robert Wisdom), while the more sprawling and scattershot "Non-Fiction" circles around the mutual exploitation of a fumbling documentary filmmaker (Paul Giamatti doing a near-parody of director Solondz) and his clueless subject, a suburban high school slacker named Scooby (Mark Webber). The squirmy laughs are laced with humiliation and the satire is acidic and cynical; in the world of Solondz, victims and victimizers alike are petty, selfish, vindictive, and thoughtless, and empathy is strictly rationed. Though sharply written and well directed, this misanthropic vision is strictly for daring filmgoers and Solondz fans. --Sean AxmakerLegally Blonde Reproduction Poster Print Double Sided 11 x 17 Inches - 28cm x 44cm

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Wednesday, August 10, 2011

Six-String Samurai

  • The Six String Samurai is Buddy, a mysterious and powerful hero of the post-apocalyptic future, who must fight his way to Lost Vegas and ditch a bothersome orphan kid if he's ever to become the next King of Rock 'n' Roll. Along the way, they encounter bounty-hunting bowlers, a cannibalistic "Cleaver" family, a Windmill God and even the Russian army. Winding up at the gates of Vegas, Bu
The Chicago-based Steve Sandner Band plays with jazz singer Holly McGuire in a straight-ahead swing style with a touch of blues. Pianist Judy Roberts sits in on one track.We all have or will have this moment in our lives. The moment before the rain in the evening after a day spent. The moment when someone or something simply says "This is it... this is what life is about", and then the nods come. That moment is Porched Hopes. The eve of day coming down on all us simply, softly and in sanctuary. We have all hea! rd of shelving our dreams. To that thought there is but one rebuttal and it is to porch our hopes.Tracks: Rock Around The Clock 2:12 Bill Haley & The Comets Poison Ivy 2:39 The Coasters Mack The Knife 3:09 Bobby Darin I Only Have Eyes For You 3:18 The Flamingos The Great Pretender 2:41 The Platters Since I Don't Hve You - The Skyliners 2:39 In The Still Of The Nite - The Five Satins 3:03 Peggy Sue - Buddy Holly 2:32 Get A Job - The Silhouettes 2:49 Yakety Yak - The Coasters 1:53 Book Of Love - The Monotones 2:22 16 Candles 2:55 The Crests Sincerely - The McGuire Sisters 3:01 There Goes My Baby 2:11 The Drifters Great Balls Of Fire 1:50 Jerry Lee LewisSIX STRING SAMURAI - DVD MovieAs a genre-buster, Six-String Samurai--just your average, run-of-the-mill postapocalyptic kung-fu-rock & roll road movie--has a lot going for it. The film takes place in a Soviet-ruled America (they nuked the U.S. in 1957; with the exception of Lost Vegas [sic] and the badlands around it, the country is a Soviet territory). It revolves around Buddy (Jeffrey Falcon, who bears a remarkable resemblance to Buddy Holly), a guitar-slinger-swordsman who's on his way to Vegas, where he plans to succeed the just-deceased Elvis as the King. Along the way, he picks up an orphaned preteen traveling companion, and the pair's quest leads them to confront various Mad Max-style pop-culture weirdos, the Red Army, and Death--a rival guitarist who looks suspiciously like Guns n' Roses' Slash.

Falcon's background is in Hong Kong cinema, and it shows in this made-on-a-shoestring production, filmed mostly in Palm Spri! ngs and Death Valley. (He certainly had enough opportunities to influence the production, since, besides playing the lead, Falcon pitched in as cowriter, coproducer, production designer, and costume designer on the film.) Despite the limited budget, the movie is generally entertaining, though it could probably stand to lose a couple of go-nowhere subplots that account for about 15 minutes of the 91-minute running time. --Randy Silver

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